On this week’s episode, Dave and Kris are still in the process of recovering from various plagues (Apologies for the occasional coughing!), but that doesn’t slow them down from getting to the bottom of this week’s releases. First up is Kris with an installment of Keepin’ Up with the Jensons, revisiting THE KILLING OF A SACRED DEER (4:50). Rather than rehash the plot, Kris ponders the point of it all, with some unsatisfying conclusions. Next up, Evan walks through ROMAN J. ISRAEL, ESQ. (9:24), the new film from NIGHTCRAWLER director Dan Gilroy featuring Denzel Washington and Colin Farrell. It’s not necessarily a bad film and it boasts some fine performances, but it ultimately suffers from a terminal case of not having a firm grasp on its own point, leading to an uneven tone and baffling plot twists. Last up is Dave and Kris with COCO (30:09), the new Pixar film guaranteed to make you cry. It’s a delight to behold that is gorgeous and heartfelt despite some issues of predictability, and is a welcome addition to the Pixar tradition of finding worthwhile, emotional stories in just about anything.
Hi, kids! Welcome to episode 150 of Spoilerpiece Theatre! It’s a totes spesh episode! So special, in fact, that we forgot to mention it was a special episode until the closing credits. In fairness, our brains were so fried this week by the convoluted plots of the movies we watched, we weren’t able to retain any other information. But we were able to discuss the DUCKTALES theme song before Dave launches into his take on PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES (3:51). Then we get into BAYWATCH (34:13), which everyone saw (even if they all didn’t see each other at the screening). Please make sure you listen after the closing theme song!
Kris is on a tight deadline and can’t make it this week, so Movie Bob Chipman joins Evan and Dave to discuss logistical questions about day to day operations of the Death Star. Bob shares insights into one of his upcoming videos before being their guest, i.e. reviewing BEAUTY AND THE BEAST (at 6:08). After some tangents about PIRATES OF THE CARIBBEAN and other live action Disney adaptations, Bob describes why BEAUTY AND THE BEAST is a tribute to itself; a fine, blow by blow remake of the animated movie. Next, all three of them discuss the Oscar-winning documentary O.J.: MADE IN AMERICA (at 22:24), by revealing how it provides deep context into O.J.’s successful athletic career and his abusive past, which leads the guys to ruminate on other celebrities with abusive histories. Finally, Evan and Dave tackle PERSONAL SHOPPER (at 42:26), an Olivier Assayas/Kristen Stewart film that’s oozing with esoteric weirdness and needlessly confusing plot points. Fear not, the show isn’t entirely without Kris! Stay tuned after the closing credits for a brief message from him.
Happy post-Thanksgiving! First, we’ve got some singing, and then we’ve got a whole mess o’ movies, beginning with Kris’ take on Warren Beatty’s RULES DON’T APPLY. Then Dave goes through BAD SANTA 2, and Evan wraps things up with Disney’s MOANA. And then there’s more singing (briefly!).
This week the guys get in on the game of using three fictional characters to describe themselves. Then Evan and Kris talk about the 70mm and Widescreen Festival at the Somerville Theatre (at 7:04), where they TRON and SLEEPING BEAUTY. While discussing how beautiful these films look, they each share new elements that they discovered by watching them on the big screen. After that, Dave provides a “Riedel’s Recap” of GREEN ROOM (at 15:56), which offers specific comparisons to Jeremy Saulnier’s previous movie BLUE RUIN. Next, Kris delivers a “Keeping up with the Jensons” about DEMON (at 21:32), where he offers a very different take on the picture than Evan. Dave transitions into THE BEATLES: EIGHT DAYS A WEEK – THE TOURING YEARS (at 29:57), a Ron Howard documentary that attempts to whitewash tensions between the band’s members. Finally, Kris and Evan close out with QUEEN OF KATWE (at 39:10), a Disney sports movie about chess, which is carried by good humor and cute kids learning about life.
On this week’s episode a Fine Young Cannibals karaoke session somehow turns into a Weezer takedown, but one fan isn’t having it. Dave leads off with WOULD YOU RATHER (at 3:31), a horror movie that’s bad, although not bad enough to be super entertaining. At least it has interesting casting, and Jeffrey Combs chowing down on the scenery. After that, Evan talks about the crime drama HELL OR HIGH WATER (at 26:32), which is about brothers played by Chris Pine and Ben Foster, who rob banks to save their family’s home. His rousing description of its tense action, thorough character development, and smart bank-robbing plan spoilerpiece Dave and Kris into really wanting to see it. Lastly, Kris and Evan conclude with PETE’S DRAGON (at 48:20), a cute remake that’s touching, but the good kind of touching. Despite its dead parent motif, they spoilerpiece Dave into wanting to see the film with their recap of the dragon’s expressiveness, the antagonist’s depth, and its overall statement about unconventional families.
Somehow a conversation about moving on this week’s show turns into a digression about sippy cups where Evan shares why he needs them. The episode opens with a first ever joint segment of “Riedel’s Recaps” and “Keepin’ up with the Jensons,” where Kris and Dave talk about MCCABE & MRS. MILLER (at 4:26), one of Dave’s all-time favorite movies. They fill in some blanks left by Charlie’s exploration from the previous episode and use the segment as an opportunity to discuss Robert Altman in general. Then Kris reviews THE BFG (at 18:30), a movie that is neither Disney nor Steven Spielberg’s best work, but it does contain very very very good motion capture. After that Dave covers EAT THAT QUESTION: FRANK ZAPPA IN HIS OWN WORDS (at 36:22), a talking head documentary that only contains one talking head—Frank Zappa himself. He ends up talking about the Zappa family’s recent drama for a bit before Evan wraps up with OUR KIND OF TRAITOR, a bromantic and tedious spy flick featuring Stellan Skarsgard with a BFM (Big Fuckin Mullet) and a silly Russian accent.