This week it’s all about the joys of vegan dairy products before a zombie-heavy meal. First Megan describes LITTLE MONSTERS (2:36), a charming zombie flick that deftly balances cuteness with dark humor. Then she reviews THE LIGHTHOUSE (11:10), an atmospheric period piece with surprising queer undertones. Next, Evan and Dave cover GARY GULMAN: THE GREAT DEPRESH (16:47), a hilarious HBO comedy special that also bravely discusses mental health. Megan and Evan follow that up with EL CAMINO: A BREAKING BAD MOVIE (26:28), a shockingly captivating and tense film based on the AMC show. After that Dave and Megan gripe about the incredibly disappointing MALEFICENT: MISTRESS OF EVIL (38:55). To wrap up, it’s back to the undead for ZOMBIELAND: DOUBLE TAP, a medium funny sequel that has opinions split between our fair co-hosts.
Happy New Year Spoilerpiece fans! This week the guys start out by revealing their unconventional New Year’s Eve plans. For films, there are three on the docket, and everyone has seen them, which makes for lively discussion! First, the guys review THE FAVOURITE (4:48), a period piece by Yorgos Lanthimos that Kris and Dave loved, but Evan couldn’t stand. Next they cover IF BEALE STREET COULD TALK (17:37), the beautiful Barry Jenkins movie they all agree is fantastic because the theme of love permeates it. Lastly, the guys take on the much-discussed Sandra Bullock Netflix original BIRD BOX (30:17), a tense horror flick with good performances that is stunted by numerous flaws. If all that’s not enough, you can also hear exclusive audio of the guys discussing New Year’s Eve movies if you sign up and support them this week on Patreon.
We kick off this week’s Spoilerpiece with a Crewind — also known as Evan Can Wait and God Save the Crean — in which Evan recaps his experiences with LOGAN (eh), BATTLE OF THE SEXES (good), and LAST FLAG FLYING (wow) (4:02, 9:30, 15:29 respectively). Next up is Dave with THE DARKEST HOUR (20:11), in which Gary Oldman portrays Winston Churchill in the earliest days of Britain’s involvement in World War II. It’s a bit of a recitation of well-established facts, but Oldman doing anything can never be totally boring, making this a mixed bag. Last up is all three guys with Guillermo del Toro’s THE SHAPE OF WATER (32:11). If you like del Toro, you know what to expect. If you don’t, well, you also know what to expect, only moreso.
This week begins with a discussion of bad movies, and why video game adaptations are particularly egregious. Evan then kicks things off with a recap of his experience at Somerville Theatre’s 70mm Festival, featuring THE DARK CRYSTAL (4:47). The Crewind continues with Evan’s “Triple Cruise” where he watched two classics — RAIN MAN (11:30) and the under-recognized DAYS OF THUNDER (15:17), before being joined by Dave to dissect AMERICAN MADE (21:55). The short version: it’s awesome. Dave then Spoilerpieces no one into wanting to see VICTORIA & ABDUL (37:35), the latest example that director Stephen Frears should take it easy on the aristocracy for a while. It’s finely made with a great turn by Eddie Izzard, but totally familiar. Last up, Dave and Kris are excited to talk about the many victories of BATTLE OF THE SEXES (42:02), both in the narrative and the filmmaking. It’s good, funny, thoughtful, and entirely necessary.
Boston podcast legend Steve Head from the Post-Movie Podcast and Diabolique Webcast almost gets stuck in cement on his way to join Evan and Kris for this week’s episode. After he and Evan swap SIMPSONS references, Steve shares some of his famous stories from working in the film industry. Then the three of them discuss MISSION: IMPOSSIBLE – ROGUE NATION’s exciting set pieces, its fantastic female lead Rebecca Ferguson, record store names, why Tom Cruise probably works out like gerbil, and how the film series is just a chance for Cruise to show off. Kris spends some time talking about how Woody Allen’s latest film IRRATIONAL MAN is “all over the fuckin’ place,” which somehow leads to tangents about Wikipedia and Paul Feig, before he wraps things up with a quick summary of Joshua Oppenheimer’s documentary THE LOOK OF SILENCE, a companion to his doc THE ACT OF KILLING.
Before he escapes Boston for NYC, Sam Cohen makes his first ever podcast appearance as the special guest on this week’s episode. Being the yougin’ that he is, Sam shares his experience watching BIG TROUBLE IN LITTLE CHINA for the first time. The guys discuss its impending remake along while comparing Kurt Russell and The Rock. Then Sam tells Kris and Evan about Cameron Crowe’s degeneration as a filmmaker with his nonsensical movie ALOHA. None of them know what a gate opening ceremony is or how music by David Bowie can blow up a satellite, but apparently both are important plot elements. Thankfully Kris and Sam saw SPY, which pleasantly surprised both of them. After they tell Evan all about why he should see it, he and Sam finish up the show by talking about KURT COBAIN: MONTAGE OF HECK. Want to find out why the documentary gave Evan all the feels? Then tune in.