Big week at Spoilerpiece! Lotsa movies. Evan fills us in on the Boston Jewish Film Festival (3:45) with the four shorts (JOIN THE CLUB with Ari Graynor, WIG SHOP with Emily Mortimer, BLACK SWELL with Richard Kind, and THE CHOP, about a Jewish butcher who gets a job in halal shop), and one feature (WINTER HUNT) he watched in anticipation of the festival’s run from November 8-20. Dave follows at 17:20 with Frances McDormand in THREE BILLBOARDS OUTSIDE EBBING, MISSOURI, which he characterizes as one of the best films of 2017. Next up is Kris and Dave with Kenneth Branagh’s MURDER ON THE ORIENT EXPRESS at 30:00. Lastly, all three guys saw Greta Gerwig’s masterful LADY BIRD and take turns gushing about how much they love it.
This week starts with Dave’s recap of the all-night Halloween Marathon at Brookline’s Coolidge Corner Theatre (2:30) featuring some of the best in classic zombie flicks. Next up, Kris recounts his spooky double feature, LET’S SCARE JESSICA TO DEATH and MESSIAH OF EVIL (16:09), both of which are great slices in 1970s weirdness. Dave runs us through THE KILLING OF A SACRED DEER (28:32) and does not buy into the hype. Dave and Evan team up for LBJ (34:39), the latest take on the president with a complicated legacy. Last up, all three talk about the surprisingly delightful THOR: RAGNAROK (44:37) from Taika Waititi.
This week the guys attempt to answer the age old question, “Who’s the luckiest person in show business?” with mixed results. Each of them have some catching up to do on movies that they’ve seen, so they do some quick recaps (starting at 4:26) before they dive into these week’s movies. Kris shares short takes on BEAUTY AND THE BEAST and PERSONAL SHOPPER, prior to Evan offering brief thoughts on 10 CLOVERFIELD LANE, and Dave revealing what he took away from the rest of OJ: MADE IN AMERICA. After that Kris and Evan discuss WILSON (at 19:32), a film based on a Daniel Clowes graphic novel, where Woody Harrelson plays a guy walking through life telling everyone bullshit and acting like an asshole. Then all three guys discuss the sci-fi horror movie LIFE (at 41:11) which has great actors giving mediocre performances. They compare various parts to 2001: A SPACE ODYSSEY, LITTLE SHOP OF HORRORS, and ALIEN, however they describe why it gets dumber the more you think about it.
Spoilerpiece Theatre turns 100 this week, so the guys do something special to thank their fans! Since it’s the 100th episode that also means Dave has finally seen WALK HARD: THE DEWEY COX STORY. Does he appreciate it as emphatically as Kris? Find out starting at the 4:00 mark. Next Evan and Kris cover THE CONJURING 2 (at 17:53), a super long James Wan horror movie with a lot of jump scares and a lot of little annoying things that make Evan very angry. After his anger cools, Evan reviews NOW YOU SEE ME 2 (at 42:38), which has some great magic scenes, but a convoluted plot that relies too much on you remembering information from the first movie. Lastly, Kris discusses TALE OF TALES (at 54:54), a messed up Italian anthology film that confuses the heck out of Dave and Evan with its interwoven tales that have no connection. Kris uses the conversation as an opportunity to state his case about why there should be more anthology films and television shows.
This week the guys give you the lowdown on their recording equipment, before Kris shares why the atrocious GODS OF EGYPT left him feeling rattled. Part of it has to do with its 120 minutes of confusing plot and Gerard Butler’s mysterious decision to use his Scottish accent. The whole experience left Kris too depressed to chide a fellow theatergoer for using his phone during the picture, so he decides to pass the mic. Next Dave and Evan review TRIPLE 9, a movie that with lots of good killin’ and great action. Kate Winslet does a terrible Russian accent, the film is overstuffed with plot, and goes along too long, but Woody Harrelson is amazing, even if he could play his role in his sleep. Finally, the guys fulfill their promise from last episode of revisiting Tim Burton’s BATMAN. Dave and Evan go over the massive plot holes, continuity errors, and other various things that bother them from their most recent viewing, although they do take some time to talk about what they still love about the movie in spite of those shortcomings.