KNIVES OUT, FROZEN 2, A BEAUTIFUL DAY IN THE NEIGHBORHOOD, 21 BRIDGES, and AFTER CLASS on Episode #280

Daniel Craig gestures with his hand laying out his theory while Ana de Armas sits by a throne of knives in the movie Knives Out.
Daniel Craig explains his theory, real slow with his hilarious Southern drawl in KNIVES OUT

This week Evan shares some of his favorite French film titles seen in Montreal before Megan reviews FROZEN 2 (4:30), a sequel with meaningful themes. Next Dave covers 21 BRIDGES (14:35) a predictable film far beneath its talented lead Chadwick Boseman. After that Megan discusses A BEAUTIFUL DAY IN THE NEIGHBORHOOD (23:55), the poignant movie about Mr. Rogers starring Tom Hanks. She and Evan have disagreements about the following film AFTER CLASS aka SAFE SPACES (37:58), which played at this year’s Boston Jewish Film Festival, although they still appreciate a lot of the same scenes. To wrap up, everyone chats about KNIVES OUT (49:02), a hilarious whodunit that could have been tighter and more loaded with twists.

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THE IRISHMAN, CHARLIE’S ANGELS, THE GOOD LIAR, and the Boston Jewish Film Festival on Episode #279

Al Pacino and Robert De Niro standing together wearing shirts ties and jackets in Martin Scorsese's movie The Irishman
Pacino and De Niro are back together again in Martin Scorsese’s THE IRISHMAN

It’s a bountifully loaded week at Spoilerpiece! First, Megan talks about THE GOOD LIAR (3:00), starring Helen Mirren and Ian McKellen as two olds locked in a battle of rapidly aging wits. Is it good? Or is it just that Mirren and McKellen are good in an otherwise lackluster flick? Moving on to the Boston Jewish Film Festival, Evan talks briefly about the Tovah Feldshuh-starring GOLDA’S BALCONY (11:59). Then he and Megan share thoughts on MY POLISH HONEYMOON (14:40) and FLAWLESS (21:52). Finally, Megan and Dave deconstruct Elizabeth Banks’ CHARLIE’S ANGELS (29:29) reboot before getting into the Martin Scorsese opus THE IRISHMAN (41:03).

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BONUS: A conversation with SAFE SPACES (AFTER CLASS) writer/director Dan Schechter

Justin Long tries to manage students in the film After Class
Justin Long stars in Dan Schechter’s film SAFE SPACES (now called AFTER CLASS)

In this bonus episode recorded at the Boston Jewish Film Festival, Evan chats with writer/director Dan Schechter about SAFE SPACES (now called AFTER CLASS), the festival’s opening night film. They discuss how the movie, which stars Justin Long, mines quasi-autobiographical material to deftly tackle emotionally complicated subject matter. They also cover Jewish themes in the story, his casting process, what he hopes viewers will take away from the movie, and most importantly, his bagel order.

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DOCTOR SLEEP, LAST CHRISTMAS, MAKING WAVES: THE ART OF CINEMATIC SOUND, and IFFBoston’s Fall Focus

Ewan MacGregor peers through an axe hole in a door originally featured in The Shining, in the movie Doctor Sleep.
HERE’S EWAN in DOCTOR SLEEP

This week we start off Catching up with Crean (TM) as he tells Megan and Dave about his experience watching PARASITE (2:52). Then Megan talks about several films IFFBoston’s Fall Focus, including WAVES (7:10), THE TRUTH  (9:48), CLEMENCY (11:29), and PORTRAIT OF A LADY ON FIRE (13:50). Then Megan talks about LAST CHRISTMAS (16:09) and Dave fills everyone in on Stephen King’s DOCTOR SLEEP (29:00). Finally, everyone talks about MAKING WAVES: THE ART OF CINEMATIC SOUND (44:55), a documentary about – wait for it – how sound in movies is painstakingly put together.

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TERMINATOR: DARK FATE, HARRIET, and MOTHERLESS BROOKLYN on Episode #277

Natalia Reyes, Mackenzie Davis, and Linda Hamilton pose defiantly in the movie Terminator: Dark Fate

Before the movies this week Megan and Dave have some questions about an unusual item on Evan’s desk. With their curiosity satisfied, Megan reviews HARRIET (3:58), the epic Harriet Tubman biopic starring the very talented, yet slightly controversial Cynthia Erivo. Next she and Dave cover MOTHERLESS BROOKLYN (20:36), the Edward Norton noir with modern parallels that deserves a better director. Then they all have a blast discussing TERMINATOR: DARK FATE (40:02), the best film in the franchise since T2, because it finally gets what the others were missing: Linda Hamilton.

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ZOMBIELAND: DOUBLE TAP, MALEFICENT: MISTRESS OF EVIL, LITTLE MONSTERS, THE LIGHTHOUSE, and more on Episode #275

Abigail Breslin, Emma Stone, Woody Harrelson, and Jesse Eisenberg hold torches while looking up in Zombieland: Double Tap
Been there, tapped that, but it’s good seeing everyone again in ZOMBIELAND: DOUBLE TAP.

This week it’s all about the joys of vegan dairy products before a zombie-heavy meal. First Megan describes LITTLE MONSTERS (2:36), a charming zombie flick that deftly balances cuteness with dark humor. Then she reviews THE LIGHTHOUSE (11:10), an atmospheric period piece with surprising queer undertones. Next, Evan and Dave cover GARY GULMAN: THE GREAT DEPRESH (16:47), a hilarious HBO comedy special that also bravely discusses mental health. Megan and Evan follow that up with EL CAMINO: A BREAKING BAD MOVIE (26:28), a shockingly captivating and tense film based on the AMC show. After that Dave and Megan gripe about the incredibly disappointing MALEFICENT: MISTRESS OF EVIL (38:55). To wrap up, it’s back to the undead for ZOMBIELAND: DOUBLE TAP, a medium funny sequel that has opinions split between our fair co-hosts.

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PARASITE, BLACK AND BLUE, FRACTURED, KNOCK DOWN THE HOUSE, and WHERE’S MY ROY COHN? on Episode #276!

Evan takes Megan and Dave down Thriller Lane (TM) this week to talk about FRACTURED (2:44), a Netflix movie starring Sam Worthington as a man whose family goes missing at a hospital, and BLACK AND BLUE (10:39), a cop flick about a rookie with conflicting loyalties. One Evan thinks was good, the other…not so good. Then Megan and Dave talk KNOCK DOWN THE HOUSE (26:11), a Netflix documentary about the 2018 U.S. elections, featuring four politicians, one of whom happens to be Alexandria Ocasio-Cortez. Megan follows that up with another political doc, WHERE’S MY ROY COHN? (40:10), about guess who? Finally, Megan and Dave end on Bong Joon-ho’s PARASITE (45:30), a movie that begins in one place and then goes to a very different (and dark!) place. Don’t forget to visit our Patreon page! This week’s exclusive audio for Patreon subscribers is about THE OMEN!

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UNBELIEVABLE, LUCY IN THE SKY, MEMORY: THE ORIGINS OF ALIEN, and THE KING OF COMEDY ON Episode #274

Merritt Wever and Toni Collette sand with their arms crossed observing something in the Netflix show Unbelievable
Merrit Wever and Toni Collette are believably awesome in Netflix’s UNBELIEVABLE.

This week Megan blows Evan’s mind when she reveals some shocking new information to him about corn. Yes, corn. She and Dave kick off the show by reviewing the utterly disappointing MEMORY: THE ORIGINS OF ALIEN (3:35), a behind-the-scenes documentary that repeats all the same old stories about Ridley Scott’s beloved 1979 film. Then Evan and Dave cover Martin Scorsese’s often-overlooked gem THE KING OF COMEDY (14:38), detailing why JOKER is such an unsuccessful attempt to mimic it. Next Dave and Megan review LUCY IN THE SKY (23:42), a movie so frustrating they wish they didn’t have to talk about it. The one positive thing they can agree on though, is that Natalie Portman goes for broke with her performance. Lastly, all three of them delve into the Netflix mini-series UNBELIEVABLE (35:27), discussing why its first episode is so infuriating, while expounding upon why it’s such an important examination of trauma and a satisfying police procedural with tremendous performances by its leads Kaitlyn Dever, Merritt Wever, and Toni Collette.

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JOKER, 5B, and selections from the Boston Women’s Film Festival with new co-host Megan Kearns Episode #273!

Joaquin Phoenix in the movie Joker wearing his makeup in a suit pondering something in an elevator
JOKER may be a dud, but Joaquin Phoenix’s performance definitely isn’t.

It’s a new era of Spoilerpiece Theatre as new co-host Megan Kearns joins Evan and Dave! Megan kicks things off this week, talking about five films from the BOSTON WOMEN’S FILM FESTIVAL (5:15): PARADISE HILLS, THE AWAKENING OF THE ANTS, ENDZEIT, GOOD POSTURE, and FAST COLOR. (Of note: There are John Candy, Kevin Bacon, DEAD SNOW, and LAST OF US tangents. That’s right! Tangents return!) Evan talks about the Paul Haggis-Dan Krauss documentary 5B (34:05), and then Evan and Dave team up to talk about JOKER (40:55), the Joaquin Phoenix-starring Joker origin story. Be sure to check out our Patreon page where we talk about some psycho stalker movies!

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AD ASTRA, ABOMINABLE, MONOS and Kris’s last show on Episode #272!

In a spacesuit Brad Pitt looks out the window of a spacecraft in the movie Ad Astra
Brad Pitt looks longingly out the window in the reflective AD ASTRA

Yes, you read that correctly – after five years as cohost, Kris is leaving the show, but not before he shares some memories of his wedding with Dave and Evan. Then it’s on to the movies! First up, Kris recaps AD ASTRA (17:51), the James Gray film featuring Brad Pitt as an astronaut wrestling with his identity after discovering the true fate of his father. It’s worth a watch, even if it’s not your kind of movie, and may win you over with its great lead performance, excellent visuals, and good intentions. Then it’s ABOMINABLE (29:13), a family movie about a yeti. It’s good, and you won’t hate yourself if you bring your child/niece/nephew/babysittee to kill a few hours. Dave and Evan close things out with MONOS (39:40), a brutal film about child soldiers that is well made, but fails to resonate beyond its fine performances and excellent score.

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