We start this week by reviewing Steven Kostanski’s strange yet uneven horror sci-fi comedy PSYCHO GOREMAN (2:08). Next, we cover Joe Wright’s derivative and inert Netflix mystery thriller THE WOMAN IN THE WINDOW (13:22), which wastes Amy Adams and a great supporting cast. Then we discuss Taylor Sheridan’s THOSE WHO WISH ME DEAD (28:43), an Angelina Jolie neo-Western forest fire thriller that really divided us. Lastly, we review Robert Connolly’s Australian murder mystery THE DRY (41:20) from IFFBoston 2021, which features a compelling lead performance by Eric Bana. And in this week’s Patreon exclusive audio, we review Peyton Reed’s 2000 cheerleading film BRING IT ON, starring Kirsten Dunst, Gabrielle Union, and Eliza Dushku.
This week we discuss the results of the presidential election before the movies. We start with the 2020 Boston Jewish Film Festival at (7:32). Evan talks about the shorts, features (THOU SHALT NOT HATE), and documentaries (THEY AIN’T READY FOR ME and SYNDROME K) he saw solo, before he and Megan dig into movies they’ve both seen: queer coming-of-age comedy TAHARA (18:01), romantic drama THE END OF LOVE (25:10), and queer comedy SHIVA BABY (36:44). Then, Megan and Dave discuss COME AWAY (43:48), a fantasy film starring Angelina Jolie and David Oyelowo as the parents to Alice in Wonderland and Peter Pan. Finally, Evan and Megan wrap up with HIS HOUSE (53:07), a Netflix haunted house horror film about a married couple who are refugees from South Sudan. On this week’s Patreon bonus audio, we discuss a Patron’s choice: the 2014 German horror film DER SAMURAI.
This week it’s all about the joys of vegan dairy products before a zombie-heavy meal. First Megan describes LITTLE MONSTERS (2:36), a charming zombie flick that deftly balances cuteness with dark humor. Then she reviews THE LIGHTHOUSE (11:10), an atmospheric period piece with surprising queer undertones. Next, Evan and Dave cover GARY GULMAN: THE GREAT DEPRESH (16:47), a hilarious HBO comedy special that also bravely discusses mental health. Megan and Evan follow that up with EL CAMINO: A BREAKING BAD MOVIE (26:28), a shockingly captivating and tense film based on the AMC show. After that Dave and Megan gripe about the incredibly disappointing MALEFICENT: MISTRESS OF EVIL (38:55). To wrap up, it’s back to the undead for ZOMBIELAND: DOUBLE TAP, a medium funny sequel that has opinions split between our fair co-hosts.
This week’s episode starts with Dave fresh off of MY BEAUTIFUL LAUNDRETTE (6:30), which he saw as part of Coolidge Corner Theatre’s series dedicated to Daniel Day-Lewis, “I’m Finished!” It’s all over the place with a million plot threads and an impossibly large cast, but boasts a terrific grit and excellent performances. Next up is Kris, who just finished reading Boris Pasternak’s DOCTOR ZHIVAGO and rewatched David Lean’s adaptation starring Omar Sharif (21:17). Kris wishes he were more impressed with the film after reading the novel, but is he breaking his own rule of separating films from source material by lowering his opinion of a movie he enjoyed? Maybe, and he’s the first to admit it. The episode then close things out with a recap of FIRST THEY KILLED MY FATHER (36:42), Angelina Jolie’s film about life under the Khmer Rouge. The guys are split — Dave and Kris enthusiastically in favor, with Evan on the fence as to whether it’s a success in its own terms.
“This is a crap movie but I’ll put my heart and soul into it because I’m Meryl Streep.”
Merry Christmas! Happy (belated) Hanukkah! And, DUDE: Dave goes OFF on an epic anti-musical rant before we even get to INTO THE WOODS. Plus, Kris takes ANNIE apart, and Evan was pulled in two directions by UNBROKEN. We make some Marky Mark jokes, and the ending is a little looser than normal, but that’s because we all wanted to get home for tha holidays. Hope you got everything you wanted this year, from world peace to THE INTERVIEW On Demand!