As we suspected Alden Ehrenreich makes for a terrible Han Solo in SOLO: A STAR WARS STORY.
Here we are at episode 201, kids! We made it! Evan kicks the show off with a Crewind of GENTLEMAN’S AGREEMENT (3:04), a 1947 film about anti-Semitism starring Gregory Peck. Kris follows up with DEADPOOL 2 (11:14), a movie that Kris feels differently about from most critics. Then Dave and Evan go into DISOBEDIENCE (26:19), director Sebastian Lelio’s English-language debut starring Rachel Weisz, Rachel McAdams, and Alessandro Nivola, about, as New Order might say, a bizarre love triangle. Finally, Evan and Dave get into SOLO: A STAR WARS STORY (36:07). Who liked it? Who didn’t? By the way, there are tangents aplenty in this episode.
Sally Hawkins romancing a manfish in THE SHAPE OF WATER.
We kick off this week’s Spoilerpiece with a Crewind — also known as Evan Can Wait and God Save the Crean — in which Evan recaps his experiences with LOGAN (eh), BATTLE OF THE SEXES (good), and LAST FLAG FLYING (wow) (4:02, 9:30, 15:29 respectively). Next up is Dave with THE DARKEST HOUR (20:11), in which Gary Oldman portrays Winston Churchill in the earliest days of Britain’s involvement in World War II. It’s a bit of a recitation of well-established facts, but Oldman doing anything can never be totally boring, making this a mixed bag. Last up is all three guys with Guillermo del Toro’s THE SHAPE OF WATER (32:11). If you like del Toro, you know what to expect. If you don’t, well, you also know what to expect, only moreso.
John Boyega looking about as happy as the guys were watching DETROIT.
This week Dave admits why he’s way too excited about his car getting detailed, before Kris declares that his beard might be magical. Prior to the week’s main event, the guys serve up a heaping helping of recaps. Evan leads off with a segment of “Crewind,” where he offers his take on PHOENIX (6:06), a film that Dave spoilerpieced many moons ago. After he talks about his reaction to the German film’s incredible ending, he tackles SHINING THROUGH (10:35), the Melanie Griffith picture where she’s a sharp half-Jewish woman who spies on the Germans with Michael Douglas during World War II. Then Dave takes over with “Riedel’s Recaps” of I DON’T FEEL AT HOME IN THIS WORLD ANYMORE (20:43), a movie he liked more than Evan, who spoilerpieced it earlier this year, and THOR (24:41), which he was not impressed by. Finally, all three gents delve into DETROIT (34:01), Kathryn Bigelow’s chronicle of the brutality and murder at the Algiers Motel during the 1967 Detroit riot. In their commentary, the guys address criticisms leveled by other critics that the film is exploitative, while also sharing their personal reactions to it.
Kris and Dave have some disagreements about LA LA LAND
You want movies? We’ve got your movies this week! The episode opens with a segment of “Catching up with Crean,” aka “Crewind,” where Evan shares his issues with THE HANDMAIDEN (at 6:18) before he covers the sharp Netflix documentary 13TH (at 9:24), which has a well-formed argument about the exploitation of minorities by US lawmakers and the prison industrial complex. After that Evan tackles THE DRESSMAKER (at 13:32), a zany movie that’s overstuffed with plot, yet funny and engaging, with one hell of an ending. Starting at 24:00, Kris and Dave provide very brief recaps of several films including THE LITTLE PRINCE, RED TURTLE, THE FITS, DE PALMA, ZOOTOPIA, and MORRIS FROM AMERICA. Once they get tired of recapping, they move on to this week’s two main events. Dave shares the excruciating agony that is WHY HIM? (at 32:42), or as he calls it “Why Me?”. Then finally, he and Kris review LA LA LAND (at 42:24), a musical with Ryan Gosling and Emma Stone, which they really disagree about.