Friend of the show Charlie Nash returns to Spoilerpiece! This week kicks off with the highs, lows, and low-lows of this year’s Oscars (1:39). The show benefited from no host and some deserving folks got some trophies, but unfortunately ended with the worst Best Picture winner in at least a decade. Then, Charlie takes us through CLIMAX (22:15), a true spectacle from Gaspar Noé. It’s everything you expect from the French boundary-pusher, condensed into his most compelling — and least forgiving — experiment yet. The gang wraps things up with GRETA (31:20), a campy, trashy good time from Neil Jordan starring the immortal Isabelle Huppert.
This week, Dave fills us in on the two pieces that kept him busy last week: what he’s most looking forward to in 2019, and a look at some Oscar-nominated performance in films that premiered at Sundance. Next, Dave and Evan tell us about the woefully unfunny and directionless LAST LAUGH (9:45). Wrapping things up is Evan and Kris with GLASS (26:50), which is not a total waste but fails to effectively channel what was good about either of its predecessors, UNBREAKABLE and SPLIT.
Chloe Grace Moretz, Sasha Lane, and Forrest Goodluck walk down a lonely road in THE MISEDUCATION OF CAMERON POST
This week on Spoilerpiece Theatre: All the way from Ireland, we thank listener and friend of the show Rory for his takes on ANT MAN & THE WASP (4:15) and CABIN IN THE WOODS (5:35)! (If you want our take on a film you saw, listen to the end of the show for the best way to reach us!) From there, it’s Crewind with the bold, stylish, and heart-wrenching BOYZ N THE HOOD (8:57). Then, Dave runs us through what makes Steve McQueen in PAPILLON (1973) (20:35) worth a revisit. Closing out the show, Kris recaps THE MISEDUCATION OF CAMERON POST (36:10), a movie about one of the worst abominations against developing minds that continues to be legal: so-called “gay conversion therapy.”
Even a dual-wielding Denzel isn’t enough to make THE EQUALIZER 2 as good as its predecessor.
Just how old was the PEZ that Evan ate recently? Find out on this week’s episode! After the guys chomp through the answer, Evan and Kris share their most triumphant experience watching the Slaughterhouse Movie Club’s burlesque show and presentation of BILL & TED’S EXCELLENT ADVENTURE (5:15) on the big screen. Next Dave fills them in on his not-so-hazy adventure tracing the evolution pot films (8:37), where he saw cannabis classics like REEFER MADNESS, MARIHUANA, SHE SHOULD HAVE SAID NO, EASY RIDER, and 9 TO 5. Once the smoke clears, Evan digs into MAKTUB (20:46), the adorable Israeli film about two mobsters who attempt reform by granting people’s wishes…in their own way. Unfortunately following his glowing review, Dave must reveal why UNFRIENDED: THE DARK WEB (31:00), a movie Evan and Kris hoped to see, is a terrible sequel to its smart predecessor. Finally, Kris and Dave wrap things up with THE EQUALIZER 2, another sequel that doesn’t measure up, mainly because, as they point out, it doesn’t feel nearly as dangerous, and lacks cohesiveness with its pacing and plot.
As we suspected Alden Ehrenreich makes for a terrible Han Solo in SOLO: A STAR WARS STORY.
Here we are at episode 201, kids! We made it! Evan kicks the show off with a Crewind of GENTLEMAN’S AGREEMENT (3:04), a 1947 film about anti-Semitism starring Gregory Peck. Kris follows up with DEADPOOL 2 (11:14), a movie that Kris feels differently about from most critics. Then Dave and Evan go into DISOBEDIENCE (26:19), director Sebastian Lelio’s English-language debut starring Rachel Weisz, Rachel McAdams, and Alessandro Nivola, about, as New Order might say, a bizarre love triangle. Finally, Evan and Dave get into SOLO: A STAR WARS STORY (36:07). Who liked it? Who didn’t? By the way, there are tangents aplenty in this episode.
Lotsa movies on this week’s episode! First up is Dave with MY LEFT FOOT (4:21), the film that arguably sealed Daniel Day-Lewis’s reputation as the world’s most committed screen actor. Next, Evan runs us through MOONSTRUCK (12:45), a romantic romp with folks who just can’t stop getting hit in the eye by amore. Dave then perseveres through his disdain for the MAZE RUNNER series by explaining how it limps along into its third installment, THE DEATH CURE (20:25). Dave and Evan then dive into Academy Award-nominated MUDBOUND (33:08), before Kris and Dave wrap things up with HOSTILES (47:09), two very different movies that confront America’s inability to confront its own history of racism and post-traumatic stress disorder.
This week’s episode starts with Dave fresh off of MY BEAUTIFUL LAUNDRETTE (6:30), which he saw as part of Coolidge Corner Theatre’s series dedicated to Daniel Day-Lewis, “I’m Finished!” It’s all over the place with a million plot threads and an impossibly large cast, but boasts a terrific grit and excellent performances. Next up is Kris, who just finished reading Boris Pasternak’s DOCTOR ZHIVAGO and rewatched David Lean’s adaptation starring Omar Sharif (21:17). Kris wishes he were more impressed with the film after reading the novel, but is he breaking his own rule of separating films from source material by lowering his opinion of a movie he enjoyed? Maybe, and he’s the first to admit it. The episode then close things out with a recap of FIRST THEY KILLED MY FATHER (36:42), Angelina Jolie’s film about life under the Khmer Rouge. The guys are split — Dave and Kris enthusiastically in favor, with Evan on the fence as to whether it’s a success in its own terms.