Megan is back from vacation so the whole Spoilerpiece team is together again! She and Evan start by reviewing Keith Thomas’s FIRESTARTER (3:35), a remake of Stephen King’s famous story, which they both agree and disagree about. Next, everyone covers Stefan Forbes’s HOLD YOUR FIRE (15:51), a disappointing documentary about a 1972 crisis in New York City that helped create modern hostage negotiation teams and techniques. They wrap up with Carey Williams’s EMERGENCY (37:49), an engaging dark comedy that offers poignant social commentary as three college students of color weigh the pros and cons of calling the police when they encounter an unexpected emergency. And in this week’s Patreon exclusive audio, we talk about Garry Marshall’s 1990 rom-com PRETTY WOMAN starring Julia Roberts and Richard Gere.
(NOTE: This show opens with the music, so be warned that it’s a little louder than usual.) Welcome to a diverse week of movies on Spoilerpiece! As Kris notes, there couldn’t be four more different flicks featured on the show. First, Kris talks a little about WHITE CROW (2:20), which Dave recently saw (and wanted to hear Kris’ opinion), then Dave dives into Olivia Wilde’s feature-directing debut BOOKSMART (7:16) and his interview with Wilde. Then Evan covers EXTREMELY WICKED, SHOCKINGLY EVIL, AND VILE (18:16), the Ted Bundy movie starring Zac Efron and directed by Joe Berlinger (and it features some serious stunt casting). Finally, Kris talks the Disney live-action remake of ALADDIN (32:30) and blue Will Smith. Why is 38 minutes longer than the animated version? Kris tells you why!
The cast of BAYWATCH looking way cooler in this photo than they do in the movie.
Hi, kids! Welcome to episode 150 of Spoilerpiece Theatre! It’s a totes spesh episode! So special, in fact, that we forgot to mention it was a special episode until the closing credits. In fairness, our brains were so fried this week by the convoluted plots of the movies we watched, we weren’t able to retain any other information. But we were able to discuss the DUCKTALES theme song before Dave launches into his take on PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES (3:51). Then we get into BAYWATCH (34:13), which everyone saw (even if they all didn’t see each other at the screening). Please make sure you listen after the closing theme song!
Charlotte Rampling making one of the same faces Dave describes in 45 YEARS.
Dave has a new gig that he’s excited to finally share. After he talks a little about it, Evan and Kris spoil the shit out of GOODNIGHT MOMMY, a creepy film that uses space effectively to keep you on edge. Its intense torture scenes made Evan feel like he had to watch something more uplifting when he was done though. Sticking with unsettling movies, Kris describes ROAR, which he describes as “a thing of pure insanity.” This plot light picture has lots of cuts and lots of big cats. Although sadly, many cast and crew members were seriously injured in the process of making it. Dave changes the episode’s pace by discussing 45 YEARS, a very English, but very good film with Charlotte Rampling about a long marriage that suddenly finds itself on the rocks. Lastly, Evan closes things up by talking about DIRTY GRANDPA, a fucking awful movie that mainly just presents situations for Robert De Niro to be vulgar for no real reason. At least there’s good singing in this episode courtesy of Dave.
Zac Efron doesn’t play a young Robert Loggia in WE ARE YOUR FRIENDS, but that would be much better than this movie.
The guys open this week’s episode with a discussion on Deez Nuts’s candidacy for president. Then Kris and Evan rip into WE ARE YOUR FRIENDS, which they agree does NOT star Zac Efron as a young Robert Loggia. Their agitated commentary is enough to leave Dave “slack-jawed and open-mouthed.” After Kris expresses confusion over more celebrities (this time Brian Austin Green and Ian Ziering), Dave takes over to share his thoughts on two fucking horrible movies. First up is TEN THOUSAND SAINTS, where the most interesting character dies 15 minutes in and Ethan Hawke plays almost the same character he did in BOYHOOD. Second is DIGGING FOR FIRE, one of the whitest movies Dave has ever seen. Joe Swanberg’s film is about dull white people with dull white people problems, and it’s so bad that it makes Dave’s soul die a little bit.