Hello from snowy Boston, MA! This week’s show begins with the very solid VERONICA (3:40), a horror movie from Paco Plaza, director of REC. It’s on Netflix now and people are buzzing about its atmosphere and terrifying set pieces. They’re mostly right, according to Kris, except that the scares stop halfway through once you become invested in the story in its own right. Next up, Dave saw 7 DAYS IN ENTEBBE (21:54), a new thriller based on a true story involving Israel, Uganda, and a hijacked plane. Despite a few interesting side characters, there’s nothing keeping ENTEBBE in the air. Last up is TOMB RAIDER (33:08), starring Alicia Vikander in the role of Lara Croft. She’s great, as are other members of the cast, but the movie around her is not for its go-nowhere plot, strange self-contradictions, and pointlessly preposterous twist.
J-Law looking like Dave and Kris felt after seeing her latest movie RED SPARROW.
After some discussion of weather, moods, and major singing in the cold open, the guys get down to tha movies. ROMAN J. ISRAEL, ESQ. is the focus of this week’s installment of “Keeping Up with the Jensons” (3:59). (Kris is trying to see all the Oscar nominees before Academy Awards ceremony.) Then Evan regales everyone with his breakdown of MUTE (12:39), Duncan Jones’ new weirdo flick starring Alexander Skarsgårdas a mute guy trying to find his girlfriend. Note: Paul Rudd is the heavy in this one. Lastly, Kris and Dave talk about RED SPARROW (27:30), the new Jennifer Lawrence/Francis Lawrence collaboration with an ending you should see coming, but the preview audience was totes surprised.
Josh Brolin berates a seemingly eyebrowless Miles Teller in ONLY THE BRAVE.
This episode begins with epic tales of Dave’s film school smoking habits, which were quite epic. Then it’s on to the main event, where Kris tells of his recent Netflix adventures with BIG MOUTH (5:45), the new animated show featuring Nick Kroll, John Mulaney, Jessi Klein, and a host of guest stars. It cuts deep with the preadolescent awkwardness, but it’s worth your time. Next up is THEY LOOK LIKE PEOPLE (11:35), an atmospheric, psychological horror film about two friends: one who is having a slow psychotic break where he can’t trust anything he sees or hears, and the other whose entire existence is a facade erected to protect is insecurity. It’s great, and Kris convinces Dave and Evan to see it right away. Last up is ONLY THE BRAVE (32:37) a true-ish story about the Granite Mountain Hotshots, whose heroism deserves a much more thoughtful, intelligent, and coherent movie than the one they got.
Ryan Gosling looking to Harrison Ford for answers in BLADE RUNNER 2049.
This week Dave reveals something he feels like he has done right as a parent before any movies are discussed. Since Kris caught VICTORIA AND ABDUL (3:09), he leads off by explaining why Dave is right about it, before expressing some insights of his own. After that, Evan covers the Online New England Film Festival (6:02) by sharing the festival’s award winners and some of his favorite shorts. Next, Dave talks about David Lynch’s DUNE (13:52), raising several questions, including, ‘Who thought it was a good idea to let Toto do the score?’ Following this “Riedel’s Recap,” Kris spoilerpieces the Netflix film GERALD’S GAME (23:08), getting into grisly detail about why it made him want to throw up. Finally, Dave and Evan review the week’s big movie BLADE RUNNER 2049 (44:35) by discussing its atmosphere, aesthetic, and length in comparison to Ridley Scott’s original.
Caesar takes things personally in WAR FOR THE PLANET OF THE APES.
It’s a heapin’ helpin’ of Spoilerpiece this week, as the guys tackle six movies (!!), and welcome special guest Max Covill! Max writes for Film School Rejects and co-hosts his own podcast, It’s the Pictures. Max gets things a-goin’ with A GHOST STORY (4:15), a movie that stars Casey Affleck as one of the kids from It’s the Great Pumpkin, Charlie Brown, and Rooney Mara as the woman who loves him. It’s the kind of movie Kris wishes he’d seen, but hasn’t yet. There’s a brief tangent into what makes a horror movie a horror movie (A GHOST STORY is not, FYI) at 12:30, and then Riedel’s Recaps with THUNDERBOLT AND LIGHTFOOT (17:00), one of Clint Eastwood’s least Clint Eastwood-like pictures. Max takes over at 27:15 for WAR FOR THE PLANET OF THE APES. Kris tackles THE LOVELESS (41:30), Kathryn Bigelow’s first film as director, and Evan spoilerpieces THE BUBBLE (47:50), a film in which an Israeli man and Palestinian man fall in love and lots of people are unhappy about it. The big ‘un this week is OKJA. Everyone has seen it. AND THERE ARE SUPER DIVERSE OPINIONS! This week’s episode was brought to you by factory farming, btw.
Hi everyone! This week there were some major releases, but none of them screened for critics? Like, for real. So none of saw THE CIRCLE or HOW TO BE A LATIN LOVER, and honestly, we’re probably all better off. But we didn’t just sit around with our thumbs up our wazoos. Dave watched all 10 episodes of the Amazon series BOSCH (5:45), Kris saw the new Anne Hathaway/Jason Sudeikis movie COLOSSAL (26:45), and Evan saw most of the Netflix series 13 REASONS WHY (51:30). At 17:49, Kris and Dave go off on a major GOLDEN GIRLS tangent. And words of warning: We had some serious audio problems while recording this episode and you’ll hear some white noise fading in and out of the background starting at about the 35:00 mark (I didn’t write down the exact spot, so that’s a guess). We’re working on getting new recording equipment, so hopefully these audio glitches will soon be a thing of that past, yo. Peace!
The fully loaded cast of Ben Wheatley’s FREE FIRE: Armie Hammer, Brie Larson, Cillian Murphy, Sam Riley, and Michael Smiley
This week the guys discuss the narrative differences between Mary Shelley’s “Frankenstein” and film adaptations of her tale at the start of the show. Then Evan reviews Macon Blair’s directorial debut I DON’T FEEL AT HOME IN THIS WORLD ANYMORE (at 5:01), which has a title that sounds like a Facebook status Kris would have written if it had existed in 1995. Blair borrows stylistic elements from director Jeremy Saulnier, but his film lacks the intensity, excitement, and payoff of Saulnier’s movies. Next Dave spoilerpieces Evan and Kris into never seeing THE PROMISE (at 27:22), which is like PEARL HARBOR with more death, and a less interesting love story. If you’re looking for context or history behind the Armenian genocide depicted in the movie, you won’t find it. Lastly, Kris closes with Ben Wheatley’s FREE FIRE (at 47:30), a short, stylized action flick with an outcome that is not as funny as its set up. Kris talks about how Wheatley seems more interested in color, movement, and brutality than getting you to care about what his characters are saying, and why that’s disappointing as a viewer.