This week Megan and Dave check out writer-director Jac Cron’s CHESTNUT (2:19), a low-key (very low-key) queer drama about Annie (Natalia Dyer), who, after graduating college in Philadelphia, falls into a love triangle with Tyler (Rachel Keller) and her maybe-boyfriend Danny (Danny Ramirez). But is Tyler in love with Annie? Or Danny? And is Danny really into Annie? Or Tyler? We have an animated discussion about this one. Then Evan joins Megan and Dave to talk about FANCY DANCE (23:29), Erica Tremblay’s Indigenous drama starring Lily Gladstone as Jax, a Seneca-Cayuga woman searching for her missing sister while caring for her niece, Roki (Isabel Deroy-Olson). Throw into it Jax’s estranged father (Shea Whigham), an impromptu road trip to a powwow, and the missing-persons investigation for Jax’s sister and it’s an emotional 92 minutes. We all liked this one (one of us loved it!). Over on Patreon, we watched THE FIRST OMEN, Arkasha Stevenson’s horror prequel starring Nell Tiger Free, so check it out!
Tag Archives: Spoilerpiece Theatre
PARASITE, BLACK AND BLUE, FRACTURED, KNOCK DOWN THE HOUSE, and WHERE’S MY ROY COHN? on Episode #276!

Evan takes Megan and Dave down Thriller Lane (TM) this week to talk about FRACTURED (2:44), a Netflix movie starring Sam Worthington as a man whose family goes missing at a hospital, and BLACK AND BLUE (10:39), a cop flick about a rookie with conflicting loyalties. One Evan thinks was good, the other…not so good. Then Megan and Dave talk KNOCK DOWN THE HOUSE (26:11), a Netflix documentary about the 2018 U.S. elections, featuring four politicians, one of whom happens to be Alexandria Ocasio-Cortez. Megan follows that up with another political doc, WHERE’S MY ROY COHN? (40:10), about guess who? Finally, Megan and Dave end on Bong Joon-ho’s PARASITE (45:30), a movie that begins in one place and then goes to a very different (and dark!) place. Don’t forget to visit our Patreon page! This week’s exclusive audio for Patreon subscribers is about THE OMEN!
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“Stuber,” “Murder Mystery,” “The Spy Who Dumped Me” and Ridley Scott’s “Someone to Watch Over Me” (briefly), and Hitchcock’s “To Catch a Thief” on Episode #261

Good news, everyone! Evan watched the Adam Sandler/Jennifer Aniston Netflix flick MURDER MYSTERY (6:03) so you don’t have to! And is it good? Well…it’s not terrible. That’s something. Kris caught the new Dave Bautista/Kumail Nanjiani vehicle (ha) STUBER (18:43), a comedy with better action scenes than comedy scenes. Then it’s time to keep up with the Jensons, as Kris re-watched THE SPY WHO DUMPED ME (30:15) and has some new insight into the opening 15 minutes that kind of drove all three guys nuts. Then in a sort-of Riedel’s recap, Dave talks about Ridley Scott’s SOMEONE TO WATCH OVER ME (32:35), a forgotten thriller in the director’s canon. Finally, because it’s a slow new-release week, Evan, Kris, and Dave watched Alfred Hitchcock’s TO CATCH A THIEF (37:40), which none of them had seen before. Spoiler alert: Lesser Hitchcock is still pretty fun. Patrons! Thank you for your patronage and don’t forget to vote in our poll!
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ANNABELLE COMES HOME, MIDSOMMAR, and MIAMI VICE on Episode #259

Unclear restaurant hours can really throw a wrench in your morning, as Dave discovered this week. Once he finishes airing his grievances, he thanks Kris for his inspirational review of WAR AND PEACE from the previous episode, and proceeds to rip into Michael Mann’s MIAMI VICE (6:00), which takes the worst elements of the show and translates them into movie form. Next Kris breaks down MIDSOMMAR (15:11), the new film by Ari Aster, writer/director of HEREDITARY. According to Kris, this movie is very different, but also *not* very different from Aster’s previous work (i.e. he dug it). Lastly, everyone digs into ANNABELLE COMES HOME (39:45), a reasonably tense haunted house movie that throws several monsters at the wall to see what sticks.
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THE INTRUDER and recapping IFFBoston on Episode #251

This week, Kris kicks things off with THE INTRUDER (3:40), a much-needed breath of trashy fresh air. He had a great time and thinks you might as well. Next up is our recap of IFFBoston, revisiting some of the highlights from Boston’s biggest film festival. Included are LUCE (13:55), ASK DR. RUTH (24:43), THE DEATH OF DICK LONG (30:28), ERNIE & JOE (36:07), OFFICIAL SECRETS (44:14), THE NIGHTINGALE (content warning, 54:45), GUTTERBUG (1:02:40), and THE FAREWELL (1:09:19).
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IFFBoston Preview w/ Nancy Campbell and Brian Tamm, LITTLE WOODS and PRINCE OF EGYPT revisited on Episode #249

This week, Kris and Evan are joined by Nancy Campbell and Brian Tamm of the always spectacular IFFBoston ahead of the annual weeklong festival (April 24 through May 1). They discuss some of the exciting films, panels, guest appearances, and events of the fest that takes over three of Boston’s best theaters: Somerville, Brattle, and Coolidge. It’s a celebration of film community, and Nancy and Brian highlight filmmakers from years past who have gone on to helm some of the biggest and best movies of the past decade. Later, we meet back up with Dave, who runs us through his thoughts on LITTLE WOODS (53:38), and we close with Evan’s rewatching of THE PRINCE OF EGYPT (1:01:52) ahead of Passover.
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SHAZAM! and THE WIND on Spoilerpiece #247

Two new movies on this week’s episode: atmospheric horror western THE WIND (3:37) and comedy-superhero flick SHAZAM! (14:21). The former is a bleak commentary on isolation and the fear of nothingness faced by women in the Old West, the latter is a gigglefest that continues DC’s upward trend. Check it out!
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Jordan Peele’s US, and PADDLETON with Ray Romano and Mark Duplass on Episode #245

What’s the most highly anticipated movie of the year thus far? Probably Jordan Peele’s US, which, luckily, Kris and Evan saw. Yay! (16:50) Plus, Evan and Dave talk about PADDLETON (4:57), a Netflix film starring Mark Duplass and Ray Romano as best friends who like to play a game they invented, eat pizza, and watch kung fu movies. Then one of them is diagnosed with an incurable illness. Our Patreon exclusive audio this week features Evan talking about AWAKENINGS and BREAKING IN, and then everyone gets into a conversation about bad movie poster tagline (maybe this is becoming a theme).
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CAN YOU EVER FORGIVE ME?, AT ETERNITY’S GATE, and an update from Dave on Episode #229

Kris recounts a bizarre run-in he had some naked bike riders in college before he and Evan put on their critic hats this week. Dave is still on paternity leave, but he didn’t let that stop him from recording a special update about what he has been doing and the movies he has been watching. Buckle up for some “Riedel’s Recaps” baby! Kris leads off the main show with a half review of AT ETERNITY’S GATE (8:55), the Willem Dafoe Vincent Van Gogh picture that he was really getting into before recording the show. Then Evan serves up a “Crewind” where he talks about CRAZY RICH ASIANS (17:20), which he liked a lot, and A STAR IS BORN (20:43), which he absolutely hated. After he and Kris spend some time dissecting exactly why he hated it, they tackle this week’s main film, CAN YOU EVER FORGIVE ME? (27:53), an entertaining Melissa McCarthy drama based on a true story. Its direction is terrific, McCarthy is fantastic, and the unusual friendship at the movie’s center is a joy to watch.
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CREED II, THE OUTLAW KING, and SIMON AND THEODORE with Sean Burns on Episode #228

Kris laments the dangers of tweeting niche puns and searching for yourself on Twitter with Evan and special guest Sean Burns before they dig into this week’s movies. They kick things off with a “Crewind,” where Sean finally satisfies his curiosity about whether Paul Schrader’s FIRST REFORMED (3:30) really is an “Evan movie” or not. Then he and Kris describe the utterly dull OUTLAW KING (13:00), a forgettable movie that covers similar cinematic material to BRAVEHEART without any of its showmanship. Next Evan wraps up his coverage of the Boston Jewish Film Festival (21:00) by reviewing their entertaining Israeli TV binge and the cute French film SIMON & THÉODORE. And finally, by the time the bell sounds for this week’s main event CREED II (32:00), one of the guys finds himself on a different side of the ring than the other two, and who it is might surprise you.
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