Pick up the pace, Mr. Wick. You’re only safe for an hour!
Lots of action on the show this week. First up, Kris and Evan talk about Zhang Yimou’s latest, SHADOW (3:30). Plus, they both have tips on how to NOT watch certain types of movies (in this case, action). Then it’s the main event, JOHN WICK: CHAPTER 3 — PARABELLUM (16:30). First, Evan catches us up on the first two John Wicks (he watched them for the first time over the weekend), and then it’s talk of fightin’ and killin’ as Keanu Reeves more or less turns every assassin in the world into mincemeat. Plus, Kris breaks down whether the linguistics of JOHN WICK hold up.
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The cast-offs and the also-rans join the big swingin’ dicks to save the universe in Avengers: Endgame
It’s Spoilerpiece episode #250! Yay! Thanks for being with us as we reach this sort of arbitrary but still cool milestone! On this week’s show there’s talk of Passover…and then movies! And all three guys have seen the movies on the docket. First, it’s writer-director Laura Steinel’s Taylor Schilling-starring FAMILY (5:52), a comedy about a career-focused woman, her niece, and Juggalos. Then it’s AVENGERS: ENDGAME (22:26), the final (?) movie in this phase of the Marvel cinematic universe. And yes, we spoil the ever-loving crap out of it. Stay tuned through the closing music to hear a special message from one of our listeners.
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Lily James is the fuck-up sister and Tessa Thompson has her head screwed on straight, and they’re still in a whole lot of trouble in Little Woods.
This week, Kris and Evan are joined by Nancy Campbell and Brian Tamm of the always spectacular IFFBoston ahead of the annual weeklong festival (April 24 through May 1). They discuss some of the exciting films, panels, guest appearances, and events of the fest that takes over three of Boston’s best theaters: Somerville, Brattle, and Coolidge. It’s a celebration of film community, and Nancy and Brian highlight filmmakers from years past who have gone on to helm some of the biggest and best movies of the past decade. Later, we meet back up with Dave, who runs us through his thoughts on LITTLE WOODS (53:38), and we close with Evan’s rewatching of THE PRINCE OF EGYPT (1:01:52) ahead of Passover.
Is it just me or is Zachary Levi really looking like he’d rather shoot these lightning bolts from his penis?
Two new movies on this week’s episode: atmospheric horror western THE WIND (3:37) and comedy-superhero flick SHAZAM! (14:21). The former is a bleak commentary on isolation and the fear of nothingness faced by women in the Old West, the latter is a gigglefest that continues DC’s upward trend. Check it out!
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Amanda Crew stars in TONE-DEAF, one of Kris and Evan’s favorite movies from this year’s Boston Underground Film Festival
This week the guys gripe about the MBTA and the weird white cones that have popped up in Evan’s neighborhood – but not for long – because Dave is back in “the studio” and they have a ton of movies to talk about! First, Kris sneaks in a quick review of Tim Burton’s DUMBO (4:15) a movie that tries to tell you what’s fun and fails. Next, Dave and Evan cover JUANITA (7:20) the Netflix film that’s perfectly predictable and nice, although pretty mediocre. After that Dave reviews THE HUMMINGBIRD PROJECT (15:55), which he describes as 2/3 of a good movie with Jesse Eisenberg and Alexander Skarsgard. Finally, they arrive at the main event: this year’s coverage of the Boston Underground Film Festival aka BUFF (25:40). Kris and Evan share their thoughts on a plethora of entertaining films including the delightful documentary HAIL SATAN?, the Boomers vs Millennials horror flick TONE-DEAF, the coming-of-age war-musical KANARIE, the queer Giallo slasher KNIFE + HEART, the creepy ghost tale THE NIGHTSHIFTER, and the sex-positive 90s indie MARY JANE’S NOT A VIRGIN ANYMORE. They even talk about a few shorts in between like I OWE YOU ONE BANANA AND TWO BLACK EYES by friend of the show Jim McDonough!
What’s the most highly anticipated movie of the year thus far? Probably Jordan Peele’s US, which, luckily, Kris and Evan saw. Yay! (16:50) Plus, Evan and Dave talk about PADDLETON (4:57), a Netflix film starring Mark Duplass and Ray Romano as best friends who like to play a game they invented, eat pizza, and watch kung fu movies. Then one of them is diagnosed with an incurable illness. Our Patreon exclusive audio this week features Evan talking about AWAKENINGS and BREAKING IN, and then everyone gets into a conversation about bad movie poster tagline (maybe this is becoming a theme).
Listen:
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Friend of the show Charlie Nash returns to Spoilerpiece! This week kicks off with the highs, lows, and low-lows of this year’s Oscars (1:39). The show benefited from no host and some deserving folks got some trophies, but unfortunately ended with the worst Best Picture winner in at least a decade. Then, Charlie takes us through CLIMAX (22:15), a true spectacle from Gaspar Noé. It’s everything you expect from the French boundary-pusher, condensed into his most compelling — and least forgiving — experiment yet. The gang wraps things up with GRETA (31:20), a campy, trashy good time from Neil Jordan starring the immortal Isabelle Huppert.
Dragons, dragons everywhere in HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD
This week, Dave recaps POLAR (2:52), clarifying last week’s confusion over ARCTIC. Very different films! Next, Evan and Dave recommend DOWN (17:15), an entry in Blumhouse’s INTO THE DARK series on Hulu, full of lean, holiday-themed horror flicks. This one is a Valentine’s Day creepfest that is well worth your time. Then, Evan and Kris talk HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD (23:28), a fine conclusion to a great family-friendly series.
This week’s episode kicks off with, what else those effin’ Oscar nominations (2:17), recognizing outstanding achievement in male mediocrity. There are some deserving nominations — BLACK PANTHER, CAN YOU EVER FORGIVE ME?, BLACKKKLANSMAN — but c’mon already. From there, Kris recaps STAN & OLLIE (11:55), a well-meaning film about Laurel and Hardy in the last year of their joint career. It has some great attributes but never gathers enough momentum to explore the more interesting or entertaining dimensions of its plot. Last up is DESTROYER (21:13), a meandering neo-noir that has some good things going for it but it could have done with a bit — or a lot — of streamlining.
Spoilerpiece Theatre 