Tag Archives: Boston Online Film Critics Association

04.08.16
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HARDCORE HENRY, HELLO, MY NAME IS DORIS, and “Keepin’ up with the Jensons” on Episode #91

Hardcore-Henry

One of the MANY characters Sharlto Copley plays in HARDCORE HENRY.

This week Kris takes the floor for his very first segment of “Keepin’ up with the Jensons,” where he fills Evan and Dave in on the remainder of HELLO, MY NAME IS DORIS, a movie he started to talk about last week. Kris thinks the film is based on a lot of contrivances, but he forgives them because Sally Field is great in it and director Michael Showalter seems to know exactly what to focus on. Following brief baby poop tangent, Kris also shares his take on PEE-WEE’S BIG HOLIDAY. He agrees with Dave and Evan about it, although he spends a little more time comparing and contrasting it with PEE-WEE’S BIG ADVENTURE, which he also watched. Then the guys dig into HARDCORE HENRY the one movie they all saw this week. Sadly it’s not about Baby Henry, but it is an intense action flick shot entirely in first person. Kris compares it to BRIGHT LIGHTS BIG CITY meets CALL OF DUTY, while Evan says it’s a cross between CRANK and SHOOT EM UP. All three of them admit that it has its entertaining moments and characters (like the ones played by Sharlto Copley), but that there’s only so good it can be given how it’s shot. Finally, they wrap up by delivering a sneak peek of the movies they’ll be talking about next episode. Kris is looking forward to discussing the Don Cheadle/Miles Davis film MILES AHEAD, while Evan is anxious to talk about GREEN ROOM.

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04.01.16
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EVERYBODY WANTS SOME!!, MIDNIGHT SPECIAL, and PEE-WEE’S BIG HOLIDAY on Episode #90

Everybody Wants Some

EVERYBODY WANTS SOME!! starts out bro-ey, but gets much better when these baseball players are dropped outside of their element at a punk show.

Following a free product plug for one of those mail-in shave clubs, Kris offers a correction from the previous episode. After a few minutes of Dave’s thoughts on BATMAN V SUPERMAN: DAWN OF JUSTICE, Evan and Kris talk about EVERYBODY WANTS SOME!! Richard Linklater’s movie is bro-ey and says the word pussy a lot, but after its first 30-45 minutes both Evan and Kris really started to enjoy it. Next, Kris describes MIDNIGHT SPECIAL, a film starring Michael Shannon that’s about a kid who is special. It has people talking obliquely in a car, which annoys Kris, although it does have some really inspired sci-fi elements. The conversation leads to a tangent on Michael Shannon’s weird handsomeness, before Dave and Evan dive into PEE-WEE’S BIG HOLIDAY, which is basically PEE-WEE’S BIG ADVENTURE with a smaller budget, better music, and a less insane director. Still, they both dig its humor and find it hilarious. Finally, Kris wraps up with a half review of HELLO MY NAME IS DORIS, a film he wanted to make a prediction on before seeing the rest. How will it end? Find out in next week’s episode!

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03.25.16
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BATMAN V SUPERMAN: DAWN OF JUSTICE, MY BIG FAT GREEK WEDDING 2, and KUNG FURY on Episode #89

Batman v Superman

Ben Affleck’s concerned expression in BATMAN V. SUPERMAN: DAWN OF JUSTICE is the same one we had while we watching the movie.

Dave couldn’t make it at the last minute, so frequent guest Charlie Nash steps in to help out this week. After the guys discuss an idea Kris has for a movie, that he definitely shouldn’t be the one to write, they delve into the zany short film KUNG FURY. Charlie hasn’t seen it, so Kris and Evan convince him to check it out by spoilerpiecing how its hero acquires his kung fu powers. Then it’s up to Evan to describe MY BIG FAT GREEK WEDDING 2, or as he calls it, MY BIG FAT SEQUEL. He’s annoyed by how hypocritical it is, which leads to a tangent about another hypocritical movie: I NOW PRONOUNCE YOU CHUCK AND LARRY. Once he finishes sharing all the reasons why MBFGW2 wasn’t good, all three guys tear into BATMAN V SUPERMAN: DAWN OF JUSTICE. Charlie describes how it looks like shit (dark, murky, and brown) and explains why Batman and Superman are wrong in their worldviews. Evan craps on it too for its poor direction and editing. Kris is no fan either, but he provides interesting context for the movie in relation to comic book storylines and describes the few things he did actually like about it.

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03.18.16
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THE DIVERGENT SERIES: ALLEGIANT – Part 1 and WORKING GIRL on Episode #88

Allegiant

This image is way cooler than anything that actually happens in THE DIVERGENT SERIES: ALLEGIANT – Part 1.

The guys stumble onto their new band name this week before they talk about Evan’s vacation to LA, which involved lots of decadent eating. After a Garfield tangent, Evan and Kris ponder why so many people seem to get shot in the back during THE DIVERGENT SERIES: ALLEGIANT – Part 1, a story they didn’t realize would be told in two parts. Kris then describes how Jeff Daniels is like his character in THE MARTIAN only evil, and about why he’s “one of those bad guys who has an adjective.” With all the film’s issues, Evan shares why he still prefers the series to THE HUNGER GAMES. Following a tangent about westerns, specifically YOUNG GUNS, the episode transitions into Dave and Evan discussing another 80s movie: WORKING GIRL. Evan has no idea how much Dave loves the film, and is totally unprepared for how well Dave can quote it. The two of them enjoy spoilerpiecing it for Kris with talk about Harrison Ford’s grimace, its memorable lines, and its portrayal of workplace politics.

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https://radiopublic.com/spoilerpiece-theatre-8Xr54V/ep/s1!f951a

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03.11.16
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10 CLOVERFIELD LANE, KNIGHT OF CUPS, and special guest Sean Burns on Episode #87!

10-cloverfield-lane

Mary Elizabeth Winstead in 10 CLOVERFIELD LANE

Evan is galavanting across California on vacation so friend of the show Sean Burns fills in. That’s right! Sean and Dave appear together! And though Sean threatens to set Dave on fire and throw coffee at him, they get on pretty well. On this week’s show, the guys talk about 10 CLOVERFIELD LANE, which is apparently a sequel to CLOVERFIELD. But it’s one of those movies they can’t focus on, so there are a million tangents, most notably into Christopher Lambert and FORTRESS. Then it’s KNIGHT OF CUPS, yet another movie in which Terrence Malick makes women twirl (sigh). Yeah, yeah, it’s hard to be a comedy writer who gets laid a ton. It’s a short distance to James Woods tangents, peeps! Yeezus.

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03.04.16
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ZOOTOPIA, BILL & TED’S EXCELLENT ADVENURE, and the Oscars on Episode #86

Zootopia

Ginnifer Goodwin plays police officer Judy Hops in ZOOTOPIA, a bunny cop movie.

This week the guys talk about bread (yeah, that’s right, bread) before Evan shares some BIG news. Then Kris starts things off by talking about ZOOTOPIA, a hard-PG Disney film about racism. His commentary leads to an odd tangent about Tom Selleck and a brief tangent on politics. Afterward, he, Dave, and Evan discuss BILL & TED’S EXCELLENT ADVENTURE, one of their favorite dumb movies. The guys comment on how fast-paced and lean it is with its perfect dialogue, while sharing visual gags and suspect editing they didn’t notice in previous viewings. In the process of reviewing it, they delve into BILL & TED’S BOGUS JOURNEY and the BILL & TED cartoon too. In the final part of the show, they express their gripes with this year’s Oscars. They also get into lengthy discussions about the Best Original Screenplay category by way of EX MACHINA and the Best Original Song category by way of Sam Smith. Speaking of songs, stick around after the closing credits for Dave’s fresh take on a Beatles classic.

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02.26.16
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TRIPLE 9, GODS OF EGYPT, and Tim Burton’s BATMAN on Episode #85

Triple 9

They’ve got red on them in TRIPLE 9.

This week the guys give you the lowdown on their recording equipment, before Kris shares why the atrocious GODS OF EGYPT left him feeling rattled. Part of it has to do with its 120 minutes of confusing plot and Gerard Butler’s mysterious decision to use his Scottish accent. The whole experience left Kris too depressed to chide a fellow theatergoer for using his phone during the picture, so he decides to pass the mic. Next Dave and Evan review TRIPLE 9, a movie that with lots of good killin’ and great action. Kate Winslet does a terrible Russian accent, the film is overstuffed with plot, and goes along too long, but Woody Harrelson is amazing, even if he could play his role in his sleep. Finally, the guys fulfill their promise from last episode of revisiting Tim Burton’s BATMAN. Dave and Evan go over the massive plot holes, continuity errors, and other various things that bother them from their most recent viewing, although they do take some time to talk about what they still love about the movie in spite of those shortcomings.

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02.19.16
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THE WITCH, BABES IN TOYLAND, and Listener Questions on Episode #84

The Witch

Watch out for Black Philip the goat in THE WITCH

This week’s episode starts out with a conversation about Prince, where Kris gets real life events spoilerpieced. Then after a very brief review of BABES IN TOYLAND, a Janet Jackson tangent, and singing, the guys address some listener questions that arrived via voicemail and email. Along the way, they stumble into tangents about FORREST GUMP, Vin Diesel, and The Brattle Theatre’s owl before they move on to the main event: their review of THE WITCH. All three love its ratcheting sense of dread and how it becomes terrifying, bordering on horrifying in its final act. Plus early, Dave admits that there’s a moment in it that makes him feel very uncomfortable as a new dad. Following some differentiation between rabbits and hares, and talk of famous last words in the movie, they all laud THE WITCH for its good direction, great recreation of its time period, and excellent detail. In fact, they spend so much time talking about it, that they don’t get a chance to explore Tim Burton’s BATMAN, which was also on the agenda. Alas, they’ll just have to review it in Episode 85, so be sure to watch it in advance as prep.

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02.12.16
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DEADPOOL, ZOOLANDER 2, SOUTHBOUND, and THE CANAL on Episode #83

Deadpool

Ryan Reynolds is as perfect for Deadpool as Robert Downey Jr. is for Tony Stark.

This week Kris starts out by asking Dave an important question about how he intends to handle swearing around Baby Henry as he gets closer to actually understanding bad words. Then Evan laments how bad comedy sequels are when he discusses ZOOLANDER 2. The movie’s jokes about millennials suck and it has dumb mythology, but as a great Kiefer Sutherland, which leads to a Kiefer tangent before Kris and Evan tackle DEADPOOL. Friend of the podcast Sam Cohen didn’t care for it, so Evan and Kris start their review of this very funny fourth-wall breaking comic book film by addressing Sam’s issues. Following a GAME OF THRONES tangent, Kris spoilerpieces THE CANAL, an excellent Irish horror flick that he says is creepy, scary, and keeps you guessing. Evan wraps up by talking about horror as well with SOUTHBOUND, a horror anthology that’s freaky, well-put together, and very cohesive. And in case you missed it in the last episode, we are now on Stitcher, so be sure to subscribe to us there if you don’t have iTunes!

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02.05.16
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PRIDE AND PREJUDICE AND ZOMBIES, HAIL, CAESAR!, and HORROR in Episode #82

Hail Caesar

Channing Tatum’s delightful dance number in HAIL, CAESAR!

Illness strikes and claims Dave yet again, although thankfully frequent guest Dede Crimmins is able to fill in. After discussing workout motivation with the guys, she and Kris talk about the new Coen Brothers movie HAIL, CAESAR! Both she and Kris say it’s delight with a lot of plot, but not a lot of story. They talk about how funny it is by summing up its bawdy humor and by comparing Josh Brolin’s character to Liz Lemon. This inevitably leads to comparisons between the film and other pictures by the Coens, and at least one good band name. Following a brief diversion into 2016’s horror slate where Dede recommends THE BOY (seriously—go see it), everyone tackles PRIDE AND PREJUDICE AND ZOMBIES. Kris thinks it’s a pile of shit where Seth Grahame-Smith did a CTRL+F to replace words with zombies and is annoyed by its pandering, however Dede and Evan don’t think it’s that bad. Everyone can agree though that the zombies aren’t scary, rules about them aren’t established, and it doesn’t effectively blend Jane Austen’s novel with zombies. With the small amount of remaining time, the gang diverges into a tangent on some of their favorite TV.

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