HARDCORE HENRY, HELLO, MY NAME IS DORIS, and “Keepin’ up with the Jensons” on Episode #91

Hardcore-Henry

One of the MANY characters Sharlto Copley plays in HARDCORE HENRY.

This week Kris takes the floor for his very first segment of “Keepin’ up with the Jensons,” where he fills Evan and Dave in on the remainder of HELLO, MY NAME IS DORIS, a movie he started to talk about last week. Kris thinks the film is based on a lot of contrivances, but he forgives them because Sally Field is great in it and director Michael Showalter seems to know exactly what to focus on. Following brief baby poop tangent, Kris also shares his take on PEE-WEE’S BIG HOLIDAY. He agrees with Dave and Evan about it, although he spends a little more time comparing and contrasting it with PEE-WEE’S BIG ADVENTURE, which he also watched. Then the guys dig into HARDCORE HENRY the one movie they all saw this week. Sadly it’s not about Baby Henry, but it is an intense action flick shot entirely in first person. Kris compares it to BRIGHT LIGHTS BIG CITY meets CALL OF DUTY, while Evan says it’s a cross between CRANK and SHOOT EM UP. All three of them admit that it has its entertaining moments and characters (like the ones played by Sharlto Copley), but that there’s only so good it can be given how it’s shot. Finally, they wrap up by delivering a sneak peek of the movies they’ll be talking about next episode. Kris is looking forward to discussing the Don Cheadle/Miles Davis film MILES AHEAD, while Evan is anxious to talk about GREEN ROOM.

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EVERYBODY WANTS SOME!!, MIDNIGHT SPECIAL, and PEE-WEE’S BIG HOLIDAY on Episode #90

Everybody Wants Some

EVERYBODY WANTS SOME!! starts out bro-ey, but gets much better when these baseball players are dropped outside of their element at a punk show.

Following a free product plug for one of those mail-in shave clubs, Kris offers a correction from the previous episode. After a few minutes of Dave’s thoughts on BATMAN V SUPERMAN: DAWN OF JUSTICE, Evan and Kris talk about EVERYBODY WANTS SOME!! Richard Linklater’s movie is bro-ey and says the word pussy a lot, but after its first 30-45 minutes both Evan and Kris really started to enjoy it. Next, Kris describes MIDNIGHT SPECIAL, a film starring Michael Shannon that’s about a kid who is special. It has people talking obliquely in a car, which annoys Kris, although it does have some really inspired sci-fi elements. The conversation leads to a tangent on Michael Shannon’s weird handsomeness, before Dave and Evan dive into PEE-WEE’S BIG HOLIDAY, which is basically PEE-WEE’S BIG ADVENTURE with a smaller budget, better music, and a less insane director. Still, they both dig its humor and find it hilarious. Finally, Kris wraps up with a half review of HELLO MY NAME IS DORIS, a film he wanted to make a prediction on before seeing the rest. How will it end? Find out in next week’s episode!

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DEADPOOL, ZOOLANDER 2, SOUTHBOUND, and THE CANAL on Episode #83

Deadpool

Ryan Reynolds is as perfect for Deadpool as Robert Downey Jr. is for Tony Stark.

This week Kris starts out by asking Dave an important question about how he intends to handle swearing around Baby Henry as he gets closer to actually understanding bad words. Then Evan laments how bad comedy sequels are when he discusses ZOOLANDER 2. The movie’s jokes about millennials suck and it has dumb mythology, but as a great Kiefer Sutherland, which leads to a Kiefer tangent before Kris and Evan tackle DEADPOOL. Friend of the podcast Sam Cohen didn’t care for it, so Evan and Kris start their review of this very funny fourth-wall breaking comic book film by addressing Sam’s issues. Following a GAME OF THRONES tangent, Kris spoilerpieces THE CANAL, an excellent Irish horror flick that he says is creepy, scary, and keeps you guessing. Evan wraps up by talking about horror as well with SOUTHBOUND, a horror anthology that’s freaky, well-put together, and very cohesive. And in case you missed it in the last episode, we are now on Stitcher, so be sure to subscribe to us there if you don’t have iTunes!

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PRIDE AND PREJUDICE AND ZOMBIES, HAIL, CAESAR!, and HORROR in Episode #82

Hail Caesar

Channing Tatum’s delightful dance number in HAIL, CAESAR!

Illness strikes and claims Dave yet again, although thankfully frequent guest Dede Crimmins is able to fill in. After discussing workout motivation with the guys, she and Kris talk about the new Coen Brothers movie HAIL, CAESAR! Both she and Kris say it’s delight with a lot of plot, but not a lot of story. They talk about how funny it is by summing up its bawdy humor and by comparing Josh Brolin’s character to Liz Lemon. This inevitably leads to comparisons between the film and other pictures by the Coens, and at least one good band name. Following a brief diversion into 2016’s horror slate where Dede recommends THE BOY (seriously—go see it), everyone tackles PRIDE AND PREJUDICE AND ZOMBIES. Kris thinks it’s a pile of shit where Seth Grahame-Smith did a CTRL+F to replace words with zombies and is annoyed by its pandering, however Dede and Evan don’t think it’s that bad. Everyone can agree though that the zombies aren’t scary, rules about them aren’t established, and it doesn’t effectively blend Jane Austen’s novel with zombies. With the small amount of remaining time, the gang diverges into a tangent on some of their favorite TV.

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THE FINEST HOURS, MOJAVE, and #OscarsSoWhite in Episode #81

The Finest Hours

Chris Pine’s lazerbeam eyes in THE FINEST HOURS.

Dave starts out by sharing good things about his new outlet, which makes his transition into Riedel’s Recaps quite easy. This time he offers his take on THE MARTIAN, which he really liked despite some miscasting and misacting. It also scored bonus points because it didn’t wake Baby Henry. After a tangent on INTERSTELLAR, Evan jumps in with his opinion about MOJAVE (pronounced MO-JAYVE according to Dave), a movie starring Garrett Hedlund (not Charlie Hunnam) and Oscar Isaac, where pretentious people talk about pretentious things. It’s a shitty movie that actually caused Evan to root against its asshole protagonist. Following tangents about THE DEPARTED, EX MACHINA, and STAR TREK IV, the guys discuss their thoughts on #OscarsSoWhite and the new changes the Academy is making to promote diversity (hint: they like them). Finally, Dave and Kris review THE FINEST HOURS, a B-movie with an A-budget, where only three things happen. Even though nothing happened, it was long enough to make Kris regret not peeing beforehand, so that was something.

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TRAINWRECK and Marvel’s ANT-MAN on Episode #53

Paul Rudd in Ant-Man

Who knew that learning to work with cute little ants like this could be so fun and scary at the same time?

Fan favorite Dede Crimmins from All Things Horror and Cinematic Essential joins Evan and Kris in this week’s episode. The three of them reminisce about QUANTUM LEAP and UNSOLVED MYSTERIES before Dede discusses her upcoming trip to the Fantasia International Film Festival. Once Kris and Evan recover from the recover from hearing the number of movies she plans to see, they ask her about some her favorites from the festival. Among them are DEATHGASM, SUBURBAN GOTHIC, and ABSENTIA. First, they cover Amy Schumer’s comedy TRAINWRECK, which is formulaic but a consistently funny human experience. After they get a chance to discuss Judd Apatow’s shortcomings they move on to reviewing Marvel’s ANT-MAN, a heist flick that’s also a superhero movie. Kris thinks it has a breeziness that’s been desperately lacking in Marvel movies. Evan and Dede agree, while adding that Paul Rudd has evolved from just a pretty face into the total package as an actor.

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GET HARD and the Boston Underground Film Festival on Episode #37

A rare funny use in GET HARD of the height and weight disparity of its stars.

A rare funny use in GET HARD of the height and weight disparity of its stars.

Today is a good day to die on Spoilerpiece. We spend some time wondering what a phone call from Liam Neeson would be like. Then we delve into the odd comic sensibilities of GET HARD, and Evan brings a deeper level of consideration to it than Dave and Kris thought possible. (How is Evan not a Pulitzer-nominated critic?) Kris gives everyone the lowdown on the Boston Underground Film Festival, which, as of publication, is still going on.

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THE BOY NEXT DOOR, STILL ALICE, CAKE, AND SONG ONE on Episode #28

"Hey, Jennifer...I think this movie we're shooting may actually be really bad..."

“Hey, Jennifer…I think this movie we’re shooting may actually be really bad…”

HEY-O! It’s an especially dirty episode this week as we tackle movies with explicit sex and plots that make us swear in disbelief. That’s right, gang! It’s THE BOY NEXT DOOR, the Jennifer Lopez comeback vehicle that, if there’s any justice, will soon be playing at midnight shows alongside THE ROOM. Kris and Dave could NOT believe how awful it is – and they highly recommend it. Plus, Evan lays out the coma-filled grief-sex feature SONG ONE, and Kris explains that, in many ways, STILL ALICE and CAKE are the same movie. Plus, we talk about LAW & ORDER: SVU, and we’d love to know from you what movies we should commentary.

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The Best Movies of 2014 (if we do say so ourselves) on Episode #25

Macon Blair in "Blue Ruin."

Macon Blair in “Blue Ruin.”

Happy new year, Spoilerpiecers! On this episode we each talk about our 10 favorite movies of 2014. There’s a lot of agreement and lots of disagreement. And then, totally organically, we venture into talk about cocaine, Aviator sunglasses, and Kenny Loggins. (Gotta love the tangents.) We hit upon LOCKE, THE DOUBLE, ENEMY, FRANK, SNOWPIERCER, ONLY LOVERS LEFT ALIVE, BLUE RUIN, COLD IN JULY, JODOROWSKY’S DUNE…just to name nine. There are a bunch more. We’ll get to the worst movies of 2014 next time. Sorry for the abrupt ending, but these things happen around the holidays.

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INTO THE WOODS, ANNIE, and UNBROKEN! And Merry Christmas on Episode #24

"This is a crap movie but I'll put my heart and soul into it because Im Meryl Streep."

“This is a crap movie but I’ll put my heart and soul into it because I’m Meryl Streep.”

Merry Christmas! Happy (belated) Hanukkah! And, DUDE: Dave goes OFF on an epic anti-musical rant before we even get to INTO THE WOODS. Plus, Kris takes ANNIE apart, and Evan was pulled in two directions by UNBROKEN. We make some Marky Mark jokes, and the ending is a little looser than normal, but that’s because we all wanted to get home for tha holidays. Hope you got everything you wanted this year, from world peace to THE INTERVIEW On Demand!

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