CAPTAIN MARVEL and LORDS OF CHAOS on Episode #243

Brie Larson in the movie Captain Marvel dressed in plain clothes in an office looking off to the right.
CAPTAIN MARVEL might not be great, but Brie Larson is great in it.

This week the guys wonder how the heck RoboCop ended up in a KFC commercial before they tackle the two movies on their docket. First, Kris and Evan review CAPTAIN MARVEL (4:35), the Brie Larson superhero flick that’s a pretty mixed bag. Really it’s no worse than any other mediocre Marvel movie, but they take the time to dissect the good things (like the chemistry between Larson and Samuel L. Jackson), as well as the bad things (like its heavy reliance on momentum-killing exposition). Next, Dave, joins in to cover LORDS OF CHAOS (28:57), an in-your-face film about the Norwegian black metal scene and the rise of the band Mayhem, which lived up to its name. That’s all for the regular show – but if you sign up to support us on our Patreon – you’ll also have the chance to hear exclusive audio of us discussing Evan’s double feature of THE FUGITIVE and U.S. MARSHALS, two very different entries in the same franchise.

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POLAR, DOWN, and HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD on Episode #241

Hiccup (Jay Baruchel) rides a dragon with a fleet of dragons and riders behind him in the animated film How to Train Your Dragon: The Hidden World
Dragons, dragons everywhere in HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD

This week, Dave recaps POLAR (2:52), clarifying last week’s confusion over ARCTIC. Very different films! Next, Evan and Dave recommend DOWN (17:15), an entry in Blumhouse’s INTO THE DARK series on Hulu, full of lean, holiday-themed horror flicks. This one is a Valentine’s Day creepfest that is well worth your time. Then, Evan and Kris talk HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD (23:28), a fine conclusion to a great family-friendly series.

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Festival Roundup, ALITA: BATTLE ANGEL, ARCTIC, HAPPY DEATH DAY 2 U, and RUSSIAN DOLL on Episode #240

Jessica Rothe screaming angrily in the movie Happy Death Day 2 U
Jessica Rothe is a riot in the sci-fi comedy sequel HAPPY DEATH DAY 2 U.

On this week’s show, Evan runs us through his week in festivals: Boston Science Fiction Film Festival and Boston Israeli Film Festival (3:43). Then Kris makes the case for why you should take ALITA: BATTLE ANGEL (10:25) seriously and see it this weekend — prove the pundits wrong! Dave recaps ARCTIC (21:08), a strong film featuring Mads Mikkelsen in a grueling, survivalist role. Kris and Evan then wrap up with HAPPY DEATH DAY 2U and RUSSIAN DOLL (34:25), which arguably have similar plots but take them in radically different — and both extremely entertaining — directions.

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The FYRE FESTIVAL documentaries on Netflix and Hulu, and Adam McKay’s VICE on Episode #238

Fyre

Because everyone is talking about the Fyre Festival documentaries on Netflix (FYRE) and Hulu (FYRE FRAUD), Kris, Dave, and Evan dive headlong into the two competing flicks (5:14). Think there isn’t enough Fyre disaster to support two documentaries? Think again! Then it’s onto Adam McKay’s VICE starring Christian Bale as Dick Cheney. Why is it Kris’ nomination as the worst movie to ever receive a Best Picture Oscar nomination? Explanations begin at 26:11. On our exclusive Patreon audio segment this week, we have a chat about how much we love the late Bill Paxton, and whether it’s possible to get the clap in space.

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THE UPSIDE, BANDERSNATCH, and Sean Baker films with special guest Greg Vellante on Episode #235!

Bryan Cranston sits in the passenger seat looking out an open window with Kevin Hart in the driver's seat also looking out in the film The Upside.
Bryan Cranston and Kevin Hart try their best in THE UPSIDE

This week we’re joined by friend of the show Greg Vellante! Greg kicks things off with a recap of Sean Baker’s career. Best known for recent successes like TANGERINE and THE FLORIDA PROJECT, there are some real gems early in his filmography, in particular TAKE OUT (3:57). Stay tuned for Greg’s piece in Spectrum Culture! Next up, all three guys spent some time with BANDERSNATCH (18:37), the standalone BLACK MIRROR film where the viewer decides what happens next — or is it simply the illusion of choice?! Closing out the episode is THE UPSIDE (31:12), which is a very misleading name. There are no upsides to this movie.

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CAN YOU EVER FORGIVE ME?, AT ETERNITY’S GATE, and an update from Dave on Episode #229

Melissa McCarthy and Richard E. Grant in the movie Can You Ever Forgive Me? are sitting at a bar holding up their glasses of liquor asking for more.
Melissa McCarthy and Richard E. Grant are hilarious as oddball pals in Marielle Heller’s CAN YOU EVER FORGIVE ME?

Kris recounts a bizarre run-in he had some naked bike riders in college before he and Evan put on their critic hats this week. Dave is still on paternity leave, but he didn’t let that stop him from recording a special update about what he has been doing and the movies he has been watching. Buckle up for some “Riedel’s Recaps” baby! Kris leads off the main show with a half review of AT ETERNITY’S GATE (8:55), the Willem Dafoe Vincent Van Gogh picture that he was really getting into before recording the show. Then Evan serves up a “Crewind” where he talks about CRAZY RICH ASIANS (17:20), which he liked a lot, and A STAR IS BORN (20:43), which he absolutely hated. After he and Kris spend some time dissecting exactly why he hated it, they tackle this week’s main film, CAN YOU EVER FORGIVE ME? (27:53), an entertaining Melissa McCarthy drama based on a true story. Its direction is terrific, McCarthy is fantastic, and the unusual friendship at the movie’s center is a joy to watch.

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CREED II, THE OUTLAW KING, and SIMON AND THEODORE with Sean Burns on Episode #228

Wood Harris and a team in warmup suits escort Michael B. Jordan as Adonis Creed wearing a red boxing robe in the film Creed II.
Michael B. Jordan returns as Adonis Creed in CREED II (aka ROCKY IV – PART III).

Kris laments the dangers of tweeting niche puns and searching for yourself on Twitter with Evan and special guest Sean Burns before they dig into this week’s movies. They kick things off with a “Crewind,” where Sean finally satisfies his curiosity about whether Paul Schrader’s FIRST REFORMED (3:30) really is an “Evan movie” or not. Then he and Kris describe the utterly dull OUTLAW KING (13:00), a forgettable movie that covers similar cinematic material to BRAVEHEART without any of its showmanship. Next Evan wraps up his coverage of the Boston Jewish Film Festival (21:00) by reviewing their entertaining Israeli TV binge and the cute French film SIMON & THÉODORE. And finally, by the time the bell sounds for this week’s main event CREED II (32:00), one of the guys finds himself on a different side of the ring than the other two, and who it is might surprise you.

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Boston Jewish Film Festival & RIDM roundups, BRAM STOKER’S DRACULA, ROMA, and THE FRONT RUNNER on Episode #227

A scene from LOST WARRIOR a documentary that played at RIDM (Montreal International Documentary Festival)

This week, Kris kicks things off with his recent rewatch of BRAM STOKER’S DRACULA (5:03) directed by Francis Ford Coppola. It’s wacky and well worth your eyeballs. Meanwhile, Evan’s been busy! He recaps some highlights from the Boston Jewish Film Festival (13:47), everything from documentaries to found footage horror flicks. Then it’s back to Kris for ROMA (22:30) from Alfonso Cuarón, his best film in years. See it in theaters if you can, Netflix if you must. Then Evan runs us through his favorites from RIDM (Montreal International Documentary Festival) (32:36), highlighting a trilogy focusing on the judicial system in Brazil. Kris closes out the show with THE FRONT RUNNER (46:10), which has a couple of interesting ideas buried way too deep beneath intolerable self-satisfaction.

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WIDOWS, BOY ERASED, PRIVATE LIFE, and more with special guest Megan Kearns on Episode #226

Viola Davis stands in a trenchcoat holding a Post-it note, while Cynthia Erivo stands leaning against a punching bag in workout clothes in the Steve McQueen film Widows

Viola Davis and Cynthia Erivo are incredible in Steve McQueen’s heist film WIDOWS

This week, our friend Megan Kearns returns to the show! She kicks things off with PRIVATE LIFE (3:02), a frank and moving depiction of a couple’s attempts to conceive. Next is Evan with LIFE WITHOUT BASKETBALL (7:37), a documentary about a Muslim American woman who faces discriminatory rules regarding dress, preventing her from advancing her basketball career. Then, Kris runs us through SALEM’S LOT (11:31), the classic spooky miniseries based on the Stephen King story, as well as Orson Welles’s THE OTHER SIDE OF THE WIND (15:33), a film forty years in the making. It’s a true masterpiece, argues Kris, and you should all see it on Netflix now. Then, Kris and Evan look at BOY ERASED (21:48), Joel Edgerton’s film about  gay conversion therapy, with some good qualities but an unfortunate amount of overlap with THE MISEDUCATION OF CAMERON POST. Last up, all three get less and less enthusiastic about Steve McQueen’s WIDOWS (40:11).

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Mini Episode: 2018 Boston Jewish Film Festival Preview with Ariana Cohen-Halberstam

A black and white still of a woman looking at a man in an old Bollywood movie from the documentary Shalom Bollywood

A still from SHALOM BOLLYWOOD a documentary playing at the 2018 Boston Jewish Film Festival

In this special mini episode Evan talks with Boston Jewish Film Festival (now Boston Jewish Film) Artistic Director Ariana Cohen-Halberstam about the festival’s exciting plans for this year (its 30th). Ariana teases their Israeli film festival coming in 2019, as well as their Israeli TV show binge at the festival, which features SHABABNIKIM, SLEEPING BEARS, and YOUR HONOR. She also promotes notable films paired with performances like SHALOM BOLLYWOOD, SATAN & ADAM, and SAMMY DAVIS JR.: I GOTTA BE ME. Be sure to check out the festival, which runs November 7 – November 19. Learn more at http://www.bostonjfilm.org/.

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