Tag Archives: BOFCA

09.11.15
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THE VISIT, GRANDMA, and 90 MINUTES IN HEAVEN on Episode #61

Olivia DeJonge in THE VISIT

PUT DOWN the damn camera girl and grab a weapon to use against your Nana

Sean Burns joins Evan and Kris this week, vowing to up the episode’s profanity quotient since he’s filling for Dave. But Evan does a pretty good job of that himself, cursing out M. Night Shyamalan’s found footage horror film THE VISIT. Although Evan can’t stand the movie, Kris doesn’t actually hate everything about it and manages to sell Sean on seeing it. After they get through that slog, Sean talks about how entertaining Lily Tomlin is in GRANDMA and how crazy it was seeing her around Sundance with Jane Fonda. Then he wraps everything up with 90 MINUTES IN HEAVEN, the boring Christian film that stars Hayden Christensen with a creepy mustache and drawl. How boring is it? Sean needed three tries to get through it without falling asleep. Given its lack of excitement, it’s not surprising that the guys end up hitting a number of tangents instead of discussing the movie in depth.

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08.28.15
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WE ARE YOUR FRIENDS, 10,000 SAINTS, and DIGGING FOR FIRE on Episode #59

Zac Efron in WE ARE YOUR FRIENDS

Zac Efron doesn’t play a young Robert Loggia in WE ARE YOUR FRIENDS, but that would be much better than this movie.

The guys open this week’s episode with a discussion on Deez Nuts’s candidacy for president. Then Kris and Evan rip into WE ARE YOUR FRIENDS, which they agree does NOT star Zac Efron as a young Robert Loggia. Their agitated commentary is enough to leave Dave “slack-jawed and open-mouthed.” After Kris expresses confusion over more celebrities (this time Brian Austin Green and Ian Ziering), Dave takes over to share his thoughts on two fucking horrible movies. First up is TEN THOUSAND SAINTS, where the most interesting character dies 15 minutes in and Ethan Hawke plays almost the same character he did in BOYHOOD. Second is DIGGING FOR FIRE, one of the whitest movies Dave has ever seen. Joe Swanberg’s film is about dull white people with dull white people problems, and it’s so bad that it makes Dave’s soul die a little bit.

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08.21.15
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AMERICAN ULTRA, THE GIFT, CALL ME LUCKY, and PEOPLE PLACES THINGS on Episode #58

Jesse Eisenberg and Kristen Steward in American Ultra

This picture is way cooler than anything that happens in AMERICAN ULTRA.

Movies like woah on this week’s Spoilerpiece. First, Evan teases the book about ‘80s films that he’s been working on with his friend Bryan Krull, prompting a deeper conversation on ‘80s movies. Then Dave shares his thoughts on THE TRIBE because he finally saw it. Evan’s up next to talk about how THE GIFT subverts expectations, before Dave goads him into spoiling the movie’s big twist. After that, Evan and Kris discuss why they weren’t fans of AMERICAN ULTRA (hint: it’s about a stoner secret agent and plotted like a stoner wrote it). Dave follows up by quickly exploring why PEOPLE PLACES THINGS is so sluggish and by-the-numbers. And last, but not least, Kris reviews CALL ME LUCKY, a great documentary by Bobcat Goldthwait about Boston comedian and activist Barry Crimmins.

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08.14.15
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THE MAN FROM U.N.C.L.E., PHOENIX, and STRAIGHT OUTTA COMPTON on Episode #57

Henry Cavill and Armie Hammer on a scooter in THE MAN FROM U.N.C.L.E.

Henry Cavill and Armie Hammer during one of the best scenes in THE MAN FROM U.N.C.L.E.

Dave is back again on this week’s Spoilerpiece (which makes two weeks in a row)! The fellas talk about silly t-shirts they wish they could own, including one in particular that Kris wanted as a kid. Then the guys take on a bumper crop of movies. Kris and Evan are up first with their thoughts on Guy Ritchie’s hyper-styled adaptation of THE MAN FROM U.N.C.L.E., which has a great performance by Armie Hammer and one of the worst car chases Kris has ever seen. Dave delivers praise for PHOENIX, while wondering what the plural of the word is (phoenices?). Once he’s done talking up the film’s perfectly composed photography, interesting post-World War II story, and its Hitchcock-ian flavor, Evan and Kris round things out with STRAIGHT OUTTA COMPTON. Both of them discuss why they love the movie (because fuck the po-lice) and how its casting is fantastic.

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08.07.15
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FANTASTIC FOUR, SHAUN THE SHEEP, RICKI AND THE FLASH, and THE STANFORD PRISON EXPERIMENT on Episode #56

FANTASTIC FOUR poster

This poster is more exciting than the entire movie of FANTASTIC FOUR

On this week’s episode Kris shares his plans to weaponize peeing babies with Dave and Evan, before Evan tears FANTASTIC FOUR a new one. The film is terrible in many ways, but Evan just can’t let go of one particularly obnoxious plot hole. After the three of them engage in some Tenacious D-inspired swearing, Dave talks about SHAUN THE SHEEP, a delightful movie that everyone should see. Kris then discusses how Meryl Streep’s Republican grocery store cashier safely rebels through rock music in the confusing RICKI AND THE FLASH. Somehow that leads to Dave and Evan singing about squirrels. Finally, Evan closes everything out with THE STANFORD PRISON EXPERIMENT, a picture that would work better as a documentary, rockumentary, or shockumentary than the flat, repetitive narrative that it is. For some reason all the roads lead back to urine and squirrels in this episode.

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07.31.15
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MISSION: IMPOSSIBLE – ROGUE NATION, IRRATIONAL MAN, and THE LOOK OF SILENCE on Episode #55

Tom Cruise Riding a Motorcycle in Mission: Impossible - Rogue Nation

Tom Cruise showing off in MISSION: IMPOSSIBLE – ROGUE NATION

Boston podcast legend Steve Head from the Post-Movie Podcast and Diabolique Webcast almost gets stuck in cement on his way to join Evan and Kris for this week’s episode. After he and Evan swap SIMPSONS references, Steve shares some of his famous stories from working in the film industry. Then the three of them discuss MISSION: IMPOSSIBLE – ROGUE NATION’s exciting set pieces, its fantastic female lead Rebecca Ferguson, record store names, why Tom Cruise probably works out like gerbil, and how the film series is just a chance for Cruise to show off. Kris spends some time talking about how Woody Allen’s latest film IRRATIONAL MAN is “all over the fuckin’ place,” which somehow leads to tangents about Wikipedia and Paul Feig, before he wraps things up with a quick summary of Joshua Oppenheimer’s documentary THE LOOK OF SILENCE, a companion to his doc THE ACT OF KILLING.

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07.24.15
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PIXELS, SOUTHPAW, THE TRIBE, and INFINITELY POLAR BEAR on Episode #54

Michelle Monahan, Adam Sandler, Josh Gad, and Peter Dinklage in Pixels

How the fuck did Josh Gad and Peter Dinklage end up in PIXELS?

This week Dave tells everyone more about why he loves HIDING OUT with John Cryer and poses an interesting theory about Jim Carrey before Kris shares that he was wearing flannel before it was cool. Evan kept his promise to see THE TRIBE so he can’t wait to share his thoughts about how fucked up its graphic scenes of violence and sex are. Then he tries to summarize the plot for PIXELS, while explaining how terrible it is to Dave and Kris. Thankfully Kris shifts momentum to discuss SOUTHPAW, which is about a boxer who isn’t a southpaw, but he does have his own entourage. Dave wraps up the episode by reviewing INFINITELY POLAR BEAR, a film he enjoyed where Mark Ruffalo plays the kind of bipolar father who tells rivers to go fuck themselves.

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https://radiopublic.com/spoilerpiece-theatre-8Xr54V/ep/s1!b9645

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07.17.15
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TRAINWRECK and Marvel’s ANT-MAN on Episode #53

Paul Rudd in Ant-Man

Who knew that learning to work with cute little ants like this could be so fun and scary at the same time?

Fan favorite Dede Crimmins from All Things Horror and Cinematic Essential joins Evan and Kris in this week’s episode. The three of them reminisce about QUANTUM LEAP and UNSOLVED MYSTERIES before Dede discusses her upcoming trip to the Fantasia International Film Festival. Once Kris and Evan recover from the recover from hearing the number of movies she plans to see, they ask her about some her favorites from the festival. Among them are DEATHGASM, SUBURBAN GOTHIC, and ABSENTIA. First, they cover Amy Schumer’s comedy TRAINWRECK, which is formulaic but a consistently funny human experience. After they get a chance to discuss Judd Apatow’s shortcomings they move on to reviewing Marvel’s ANT-MAN, a heist flick that’s also a superhero movie. Kris thinks it has a breeziness that’s been desperately lacking in Marvel movies. Evan and Dede agree, while adding that Paul Rudd has evolved from just a pretty face into the total package as an actor.

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07.03.15
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MAGIC MIKE XXL and TERMINATOR GENISYS on Episode #51

Arnold Schwarzenegger in TERMINATOR GENISYS

Arnold’s hilariously awkward smile in TERMINATOR GENISYS

Jaskee Hickman of Cinematic Essential joins Evan and Kris this week to talk about Russian jokes gone awry before jumping into MAGIC MIKE XXL and TERMINATOR GENISYS. No one knows whether MAGIC MIKE XXL should be pronounced “ex-ex-el” or “double ex-el,” but either way Kris makes it sound like a fun movie ‘for people who want to watch the guys be awesome sexy dancer dudes.” Then the three of them examine TERMINATOR GENISYS. Evan asks nagging questions about various plot points, Kris confuses Matt Smith with Matt Walsh, and Jaskee talks about the parts that worked for him. Everything wraps up with tangents about DVD menus and what other movies we’re looking forward to this summer.

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06.26.15
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TED 2, BESSIE, THE OVERNIGHT, and A LITTLE CHAOS on Episode #50

Ted 2 Poster

TED 2: Uncomfortable sincerity, along with a lot of failed jokes. – Kris Jenson

Megan Kearns from Bitch Flicks joins Kris and Evan on this week’s episode to lament HANNIBAL’s cancellation by NBC before Evan shares a story about Mads Mikkelsen using his creeping powers for good. Then Kris and Megan give him the lowdown on TED 2, which Kris says is filled with “uncomfortable sincerity, along with a lot of failed jokes.” After that Evan and Megan talk about how much they enjoyed Queen Latifah and Mo’Nique’s performances in the HBO biopic BESSIE. Kris follows up with a brief interlude about foam penises and failed orgies in THE OVERNIGHT. Finally, Megan brings everything together with Kate Winslet’s A LITTLE CHAOS, which she appreciates for showing more than telling.
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