Tag Archives: Evan Crean

08.14.15
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THE MAN FROM U.N.C.L.E., PHOENIX, and STRAIGHT OUTTA COMPTON on Episode #57

Henry Cavill and Armie Hammer on a scooter in THE MAN FROM U.N.C.L.E.

Henry Cavill and Armie Hammer during one of the best scenes in THE MAN FROM U.N.C.L.E.

Dave is back again on this week’s Spoilerpiece (which makes two weeks in a row)! The fellas talk about silly t-shirts they wish they could own, including one in particular that Kris wanted as a kid. Then the guys take on a bumper crop of movies. Kris and Evan are up first with their thoughts on Guy Ritchie’s hyper-styled adaptation of THE MAN FROM U.N.C.L.E., which has a great performance by Armie Hammer and one of the worst car chases Kris has ever seen. Dave delivers praise for PHOENIX, while wondering what the plural of the word is (phoenices?). Once he’s done talking up the film’s perfectly composed photography, interesting post-World War II story, and its Hitchcock-ian flavor, Evan and Kris round things out with STRAIGHT OUTTA COMPTON. Both of them discuss why they love the movie (because fuck the po-lice) and how its casting is fantastic.

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08.07.15
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FANTASTIC FOUR, SHAUN THE SHEEP, RICKI AND THE FLASH, and THE STANFORD PRISON EXPERIMENT on Episode #56

FANTASTIC FOUR poster

This poster is more exciting than the entire movie of FANTASTIC FOUR

On this week’s episode Kris shares his plans to weaponize peeing babies with Dave and Evan, before Evan tears FANTASTIC FOUR a new one. The film is terrible in many ways, but Evan just can’t let go of one particularly obnoxious plot hole. After the three of them engage in some Tenacious D-inspired swearing, Dave talks about SHAUN THE SHEEP, a delightful movie that everyone should see. Kris then discusses how Meryl Streep’s Republican grocery store cashier safely rebels through rock music in the confusing RICKI AND THE FLASH. Somehow that leads to Dave and Evan singing about squirrels. Finally, Evan closes everything out with THE STANFORD PRISON EXPERIMENT, a picture that would work better as a documentary, rockumentary, or shockumentary than the flat, repetitive narrative that it is. For some reason all the roads lead back to urine and squirrels in this episode.

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07.31.15
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MISSION: IMPOSSIBLE – ROGUE NATION, IRRATIONAL MAN, and THE LOOK OF SILENCE on Episode #55

Tom Cruise Riding a Motorcycle in Mission: Impossible - Rogue Nation

Tom Cruise showing off in MISSION: IMPOSSIBLE – ROGUE NATION

Boston podcast legend Steve Head from the Post-Movie Podcast and Diabolique Webcast almost gets stuck in cement on his way to join Evan and Kris for this week’s episode. After he and Evan swap SIMPSONS references, Steve shares some of his famous stories from working in the film industry. Then the three of them discuss MISSION: IMPOSSIBLE – ROGUE NATION’s exciting set pieces, its fantastic female lead Rebecca Ferguson, record store names, why Tom Cruise probably works out like gerbil, and how the film series is just a chance for Cruise to show off. Kris spends some time talking about how Woody Allen’s latest film IRRATIONAL MAN is “all over the fuckin’ place,” which somehow leads to tangents about Wikipedia and Paul Feig, before he wraps things up with a quick summary of Joshua Oppenheimer’s documentary THE LOOK OF SILENCE, a companion to his doc THE ACT OF KILLING.

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07.24.15
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PIXELS, SOUTHPAW, THE TRIBE, and INFINITELY POLAR BEAR on Episode #54

Michelle Monahan, Adam Sandler, Josh Gad, and Peter Dinklage in Pixels

How the fuck did Josh Gad and Peter Dinklage end up in PIXELS?

This week Dave tells everyone more about why he loves HIDING OUT with John Cryer and poses an interesting theory about Jim Carrey before Kris shares that he was wearing flannel before it was cool. Evan kept his promise to see THE TRIBE so he can’t wait to share his thoughts about how fucked up its graphic scenes of violence and sex are. Then he tries to summarize the plot for PIXELS, while explaining how terrible it is to Dave and Kris. Thankfully Kris shifts momentum to discuss SOUTHPAW, which is about a boxer who isn’t a southpaw, but he does have his own entourage. Dave wraps up the episode by reviewing INFINITELY POLAR BEAR, a film he enjoyed where Mark Ruffalo plays the kind of bipolar father who tells rivers to go fuck themselves.

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https://radiopublic.com/spoilerpiece-theatre-8Xr54V/ep/s1!b9645

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07.17.15
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TRAINWRECK and Marvel’s ANT-MAN on Episode #53

Paul Rudd in Ant-Man

Who knew that learning to work with cute little ants like this could be so fun and scary at the same time?

Fan favorite Dede Crimmins from All Things Horror and Cinematic Essential joins Evan and Kris in this week’s episode. The three of them reminisce about QUANTUM LEAP and UNSOLVED MYSTERIES before Dede discusses her upcoming trip to the Fantasia International Film Festival. Once Kris and Evan recover from the recover from hearing the number of movies she plans to see, they ask her about some her favorites from the festival. Among them are DEATHGASM, SUBURBAN GOTHIC, and ABSENTIA. First, they cover Amy Schumer’s comedy TRAINWRECK, which is formulaic but a consistently funny human experience. After they get a chance to discuss Judd Apatow’s shortcomings they move on to reviewing Marvel’s ANT-MAN, a heist flick that’s also a superhero movie. Kris thinks it has a breeziness that’s been desperately lacking in Marvel movies. Evan and Dede agree, while adding that Paul Rudd has evolved from just a pretty face into the total package as an actor.

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07.10.15
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STRANGERLAND, MINIONS, MR. HOLMES, and A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE on Episode #52

Ian McKellen in Mr. Holmes

Contrary to Dave’s opinion, Sherlock Holmes (Sir Ian McKellen) is NOT Scottish in MR. HOLMES.

This week Spoilerpiece turns 1 year old AND Dave is back! The guys talk about whether it’s okay for him to make “Your Mom Jokes” now that he is a dad. Then Dave jumps into STRANGERLAND, which he dubs “the cinematic equivalent to spit up.” He jokes about how acting skills don’t run in the Fiennes family and wonders how Nicole Kidman is still making movies considering she hasn’t had a good one since 2004’s BIRTH. Dave did see something good though: A PIGEON SAT ON A BRANCH RELFECTING ON EXISTENCE, which has a terrible title but a really interesting premise. Evan covers MINIONS, a film that stars characters who work better in small doses. Finally Kris wraps up the show by reviewing MR. HOLMES, where an elderly Sherlock Holmes has a housekeeper that’s definitely NOT Scottish and he flashes back without acid. Stick around after the closing music for an added bonus.

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07.03.15
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MAGIC MIKE XXL and TERMINATOR GENISYS on Episode #51

Arnold Schwarzenegger in TERMINATOR GENISYS

Arnold’s hilariously awkward smile in TERMINATOR GENISYS

Jaskee Hickman of Cinematic Essential joins Evan and Kris this week to talk about Russian jokes gone awry before jumping into MAGIC MIKE XXL and TERMINATOR GENISYS. No one knows whether MAGIC MIKE XXL should be pronounced “ex-ex-el” or “double ex-el,” but either way Kris makes it sound like a fun movie ‘for people who want to watch the guys be awesome sexy dancer dudes.” Then the three of them examine TERMINATOR GENISYS. Evan asks nagging questions about various plot points, Kris confuses Matt Smith with Matt Walsh, and Jaskee talks about the parts that worked for him. Everything wraps up with tangents about DVD menus and what other movies we’re looking forward to this summer.

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06.26.15
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TED 2, BESSIE, THE OVERNIGHT, and A LITTLE CHAOS on Episode #50

Ted 2 Poster

TED 2: Uncomfortable sincerity, along with a lot of failed jokes. – Kris Jenson

Megan Kearns from Bitch Flicks joins Kris and Evan on this week’s episode to lament HANNIBAL’s cancellation by NBC before Evan shares a story about Mads Mikkelsen using his creeping powers for good. Then Kris and Megan give him the lowdown on TED 2, which Kris says is filled with “uncomfortable sincerity, along with a lot of failed jokes.” After that Evan and Megan talk about how much they enjoyed Queen Latifah and Mo’Nique’s performances in the HBO biopic BESSIE. Kris follows up with a brief interlude about foam penises and failed orgies in THE OVERNIGHT. Finally, Megan brings everything together with Kate Winslet’s A LITTLE CHAOS, which she appreciates for showing more than telling.
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06.19.15
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Pixar’s INSIDE OUT, DOPE, and ME AND EARL AND THE DYING GIRL on Episode #49

The characters of Pixar's INSIDE OUT

The perfectly cast characters of INSIDE OUT:  Anger, Fear, Joy, Disgust, and Sadness.

Charlie Nash of Movie Mezzanine, Edge on the Net, All Things Horror, and Cinematic Essential joins Evan and Kris this week to take on INSIDE OUT, DOPE, and ME AND EARL AND THE DYING GIRL. The guys start by bitching about jerks who spoil GAME OF THRONES before they share why Pixar’s film INSIDE OUT moved them to tears. All three enjoyed it so much that they can’t think of a single bad thing to say about it. Next up, Kris and Charlie summarize DOPE, while attempting to separate its promising parts from the misfires it makes and detours it takes. Then they wrap things up with the abhorrent ME AND EARL AND THE DYING GIRL, a picture that’s so bad it makes Kris angry for once. He and Charlie spoilerpiece what makes it so awful for Evan, which gives him some pretty awful ideas of his own for what to do with it when it comes out on DVD.

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06.12.15
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JURASSIC WORLD and THE CONNECTION with Movie Bob on Episode #48

Chris Pratt with raptors in JURASSIC WORLD

JURASSIC WORLD: Starring Chris Pratt as “Velociraptor Dundee”

The one and only Bob Chipman aka “Movie Bob” joins Evan and Kris for this week’s episode about JURASSIC WORLD and THE CONNECTION. First up is a game of “Get to Know Your Guest Host,” where Bob shares how he got into reviewing movies. After that Bob and Kris spoilerpiece Jurassic World, a film that Bob enjoyed despite its silliness. Just how silly is it? Well, there are weaponized dinosaurs and Chris Pratt basically plays “Velociraptor Dundee.” After Bob and Kris get all the spoiling out of their systems, Evan fills them in on THE CONNECTION, a movie which feels like the French version of Michael Mann’s HEAT. Chekhov’s Gun discussions and Indiana Jones references are in ample supply, as are tangents about BLOWN AWAY and THE GODFATHER.

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